| Artist |
New Order |
| Album Title: |
Movement |
| Album Cover: |
 |
| Primary Genre |
Electronica/Dance: Synth Pop |
| Format |
CD |
| Released |
11/13/1981 |
| Label |
Factory Records |
| Catalog No |
FACTUS 50 CD |
| Bar Code No |
0 2313-83050-2 1 |
| Packaging |
Jewelcase |
| Tracks |
| 1.
|
Dreams Never End (3:14)
|
| 2.
|
Truth (4:38)
|
| 3.
|
Senses (4:46)
|
| 4.
|
Chosen Time (4:07)
|
| 5.
|
I.C.B. (4:32)
|
| 6.
|
The Him (5:30)
|
| 7.
|
Doubts Even Here (4:18)
|
| 8.
|
Denial (4:20)
|
|
| Date Acquired |
05/05/1985 |
| Personal Rating |
 |
| Acquired from |
Down In The Valley |
| Purchase Price |
16.00 |
Web Links |
All Music Guide Entry:
Discogs Entry: |
Notes |
© 1981 Factory FACD50
Designed by Peter Saville and Graphica Industria After a poster by Fortunato Depero.
There are three different editions:
This first edition, with
Front:
FACT.50,
Spines:
FACTUS 50 CD New Order - Movement
Reverse:
Published by Bemusic/Warner Bros. Music(ASCAP)
After a poster by Fortunato Depero
A Factory Compact Disc
Distributed in the USA by Rough Trade
Disc:
FACTUS 50 CD
© Bemusic/Warner Bros. Music Corp. (ASCAP)
℗ Factory Records
Made in U.S.A. by LaserVideo, Inc.
A second edition with FACD.50 on front but with reversed F and L and dots and a slightly different artwork and disc design.
And a third edition, with FACD.50 on front (and some with turned artwork) and a slightly different disc design.
Design – Grafica Industria, Peter Saville
Engineer – Chris Nagle
Engineer [Assistant] – Flood, John
Producer – Martin Hannett
Words By, Music By – New Order
Published By – Be Music
Published By – Warner Bros. Music
Distributed By – Rough Trade Inc.
Phonographic Copyright ℗ – Factory Records
Manufactured By – LaserVideo Inc. – 8541-1
Barcode (Printed): 0 2313-83050-2 1
Matrix / Runout: FACTUS50CD W.O. # 8541-1 MANUFACTURED IN U.S.A. BY LASERVIDEO INC
Rights Society: ASCAP
---------------------------------------------------------------
Analyzed Folder: New Order - Movement_dr.txt
---------------------------------------------------------------
DR Peak RMS Filename
---------------------------------------------------------------
DR12 -1.26 dB -16.07 dB 01 - Dreams Never End.flac
DR12 -2.66 dB -17.04 dB 02 - Truth.flac
DR13 -1.67 dB -16.81 dB 03 - Senses.flac
DR12 -2.21 dB -16.34 dB 04 - Chosen Time.flac
DR12 -2.27 dB -16.01 dB 05 - ICB.flac
DR12 -1.65 dB -17.31 dB 06 - The Him.flac
DR11 -4.43 dB -18.24 dB 07 - Doubts Even Here.flac
DR14 -1.41 dB -17.37 dB 08 - Denial.flac
---------------------------------------------------------------
Number of Files: 8
Official DR Value: DR12
---------------------------------------------------------------
|
|
| Reviews |
All Music Guide Review:
Review by John Bush
Movement is the first hesitant step in the transition from Joy Division to New Order. Despite a relatively assured debut single ("Ceremony," which didn't even appear on the album), the first New Order album revealed a band apparently caught up in mourning for its former lead singer. (But of course, themes of loss and isolation were hardly novel for them.) Movement encompassed songs written just after the suicide of Ian Curtis, and it was recorded with alternating vocal spots to see whose would fit best -- although neither Peter Hook nor Bernard Sumner sounded worthy of the mantle. (At times, their hesitancy makes it sound as if they were recording guide vocals for a Joy Division LP, expecting Ian Curtis to come in later.) Despite the band's opaque lyrics, critics and fans were spotting references to Curtis all over the record, with despair and confusion reigning especially on "Senses" ("No reason ever was given") and "ICB" ("It's so far away, and it's closing in"). More so than on any Joy Division record, it also revealed a group unafraid to experiment relentlessly in the studio until it had emerged with something unique. Spurred on by producer Martin Hannett, despite his antagonistic relationship with the band (and perhaps, because of it), New Order produced a ghostly, brittle record, occasionally uptempo but never upbeat, with drum machines rattling and echoing over dark waves of synthesizers and Hook's basswork. A masterpiece in the career of any other post-punk band, Movement only paled in comparison to the band's later work.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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