"Made in USA" and "Digital Audio Disc Corp." printed on mould / hub of CD.
foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-11-25 00:31:53
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Analyzed: Big Audio Dynamite / No. 10, Upping St.
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DR Peak RMS Duration Track
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DR16 -1.43 dB -18.54 dB 5:26 01/11-C'mon Every Beatbox
DR13 -2.11 dB -17.17 dB 4:41 02/11-Beyond the Pale
DR14 -0.83 dB -18.51 dB 4:44 03/11-Limbo the Law
DR17 -0.99 dB -19.71 dB 4:49 04/11-Sambadrome
DR14 -2.33 dB -19.01 dB 4:54 05/11-V. Thirteen
DR15 -1.95 dB -18.32 dB 3:28 06/11-Ticket
DR16 -3.62 dB -21.11 dB 4:29 07/11-Hollywood Boulevard
DR12 -4.37 dB -19.53 dB 5:05 08/11-Dial a Hitman
DR15 -2.27 dB -18.81 dB 4:57 09/11-Sightsee M.C!
DR14 -4.69 dB -21.40 dB 5:34 10/11-Ice Cool Killer
DR15 -4.79 dB -22.03 dB 4:49 11/11-The Big V
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Temporarily reuniting with his former Clash partner Joe Strummer (who co-produced this album and co-wrote five songs), Mick Jones expands on the formula of the debut with Big Audio Dynamite's second album. No. 10 Upping Street features better songs that meld samples, found sounds, dance rhythms, and elements of hip-hop more completely and effectively than those on the first record. "C'mon Every Beatbox" and "V. Thirteen" made the U.K. singles chart. "Badrock City," added to the album after its initial release, made the U.S. R&B singles chart.