The Fall / Why Are People Grudgeful?
Artist The Fall
Album Title: Why Are People Grudgeful?
Album Cover:
Primary Genre Alternative & Punk: Old School Punk
Format CD Single
Released 04/05/1993
Label Matador Records
Catalog No OLE 054-2
Bar Code No 7 44861-0054-2 1
Packaging Jewelcase
Tracks
1. Why Are People Grudgeful? (4:28)
2. Glam-Racket (3:34)
3. The Re-Mixer (6:03)
4. Lost In Music (3:50)
Date Acquired 08/10/1993
Personal Rating
Acquired from Roadrunner Records
Purchase Price 9.00

Web Links

All Music Guide Entry:
Discogs Entry:
The Fall online - Discography: singles & albums

Notes

foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-11-25 07:18:06

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Analyzed: The Fall / Why Are People Grudgeful?
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DR         Peak         RMS     Duration Track
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DR14      -0.76 dB   -16.43 dB      4:28 01-Why Are People Grudgeful?
DR17       0.00 dB   -18.44 dB      3:35 02-Glam-Racket
DR14      -1.04 dB   -17.81 dB      6:04 03-The Re-Mixer
DR14      -1.64 dB   -17.06 dB      3:51 04-Lost in Music
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Number of tracks:  4
Official DR value: DR15

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           921 kbps
Codec:             FLAC
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Reviews
All Music Guide Review:

Review by Stewart Mason
A high point of the Fall's short and not entirely rewarding tenure at Matador Records, the four-song Why Are People Grudgeful? EP is a clattering post-punk racket in the spirit of the Fall's classic early-'80s period (circa Hip Priest and Kamerads). The title track is a good old-fashioned Mark E. Smith rant, followed by two more in the same vein (the peculiar "The Re-Mixer" ends with Smith reading the instruction booklet for a computer monitor and reciting a list of hotel safety guidelines for no particular reasons) and, completely unexpectedly, a cover of Sister Sledge's Chic-penned hit, "Lost in Music," which Smith and crew transform into a noisy, dub-heavy mutant disco groove with a dialogue segment from an unidentified French film droning on a loop in the background. It's a good-humored, clever cover.
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