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A 2 CD rarities collection. Comes with a large color booklet. 1-1 Recorded in New York, circa 1977, and Sussex, England, February/March 1994 1-2 John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City 1-3 & 1-4 Recorded At Philips Sound Recording Service, Liverpool, 1958 1-5 Paul McCartney speaking to Mark Lewisohn, 3 November 1994, London 1-6 to 1-8 Recorded in Liverpool, 1960 1-9 Paul McCartney speaking to Malcolm Threadgill, 27 October 1962, Hulme Hall, Port Sunlight, Cheshire 1-10 to 1-12 Recorded at Friedrich-Ebert-Halle, Hamburg, 22 June 1961 1-13 John Lennon speaking to David Wigg, October 1971, New York City 1-14 Brian Epstein reading from his autobiography "A Cellarful Of Noise", recorded at EMI Studios, London, 13 October 1964 1-15 to 1-19 Recorded at Decca Studios, London, 1 January 1962 1-20 Brian Epstein reading from his autobiography "A Cellarful Of Noise", recorded at EMI Studios, London, 13 October 1964 1-21 & 1-22 Recorded at EMI Studios, London, 6 June 1962 1-23 Recorded at EMI Studios, London, 4 September 1962 1-24 Recorded at EMI Studios, London, 11 September 1962 1-25 & 1-26 Recorded at EMI Studios, London, 5 March 1963 1-27 Recorded at BBC Maida Vale Studios, London, 2 July 1963 1-28 Recorded at London Palladium, 13 October 1963 1-29 John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City 1-30 to 1-34 Recorded at Karlaplansstudion, Stockholm, 24 October 1963 2-1 to 2-3 Recorded at Prince Of Wales Theatre, London, 4 November 1963 2-4 to 2-7 Recorded at ATV Studios, Borehamwood, 2 December 1963 2-8 Recorded at Pathé Marconi, Paris, 29 January 1964 2-9 Recorded at CBS Television Studio, New York, 9 February 1964 2-10 & 2-11 Recorded at EMI Studios, London, 25 February 1964 2-12 Recorded at EMI Studios, London, 16 April 1964 2-13 to 2-16 Recorded at IBC Studios, London, 19 April 1964 2-17 & 2-18 Recorded at EMI Studios, London, 1 June 1964 2-19 & 2-20 Recorded at EMI Studios, London, 3 June 1964 2-21 & 2-22 Recorded at EMI Studios, London, 14 August 1964 2-23 Recorded at EMI Studios, London, 30 September 1964 2-24 & 2-25 Recorded at EMI Studios, London, 6 October 1964 2-26 Recorded at EMI Studios, London, 18 October 1964 Publishing: Track 1-1 by Lenono Music (Administered by Sony Songs Inc.) Track 1-3 by MPL Communications, Inc. and Wren Music Company Tracks 1-4, 1-7 & 1-8 by MPL Communications, Inc. Tracks 1-6 & 1-10 by Unichappell Music Inc. Track 1-11 by Warner Bros. inc./Edwin H. Morris & Company, A Division of MPL Communications, Inc. Track 1-12 by Tonika Musikverlag Horst Bussow.  All Rights for the U.S.A., Canada and Mexico controlled and administered by Screen Gems-EMI Music, inc. Tracks 1-15 & 1-16 by Jerry Leiber Music/Mike Stoller Music/Chappell & co. (ASCAP) Track 1-17 by Mills Music, Inc. and Jerry Vogel Music. Tracks 1-18, 1-19, 1-25, 1-26, 1-28, 2-4, 2-8 to 2-12, 2-17, 2-18, 2-20 & 2-23 to 2-25 by Northern Songs Ltd.  All rights controlled and administered by EMI Blackwood Music Inc., under license from ATV Music (BMI). Track 1-21 by Promotora Hispano Americana de Musica, S.A.  Administered by Peer International Corporation. Track 1-22 by MPL Communications Ltd. and Lenono Publishing.  All rights for MPL Communications Ltd. in the U.S.A. and Canada controlled and administered by Beechwood Music Corporation. Tracks 1-23 & 1-24 by Songs of Polygram International, inc. Track 1-27 by Unichappell Music/Chappell & Co. Tracks 1-30, 1-31, 2-1 & 2-13 by Northern Songs Ltd., London, England.  All rights for the U.S.A., it's territories and possessions and Canada assigned and controlled by Gil Music, 1650 Broadway, New York, NY 10019. Track 1-32 by Jobete Music Co. Inc., and Stone Agate Music Co. Inc. Track 1-33 by Jobet Music Co. Inc. Track 1-34 by Isalee Music Company Track 2-2 by Frank Music Corp. and MeredithWilson Music. Track 2-3 by Screen Gems-EMI Music Inc., Unichappell Music Inc., and Sloopy II Inc.  All rights for the U.S.A. controlled and administered by Screen Gems-EMI Music Inc, and Sloopy II Inc. Track 2-5 by Northern Songs Ltd.  Controlled and administered in the United States and Canada by Music Corporation of America Inc. Track 2-7 Public Domain - U.S. only Track 2-14 by Venice Music Inc.  All rights controlled and administered by EMI Blackwood Music Inc., under license from ATV Music (BMI) Track 2-15 by Longitude Music Co. Track 2-16 by Longitude Music Co.  All rights administered by Longitude Music Co. Track 2-19 by Dick James Music Ltd. Track 2-21 by Lowery Music Co., Inc. Track 2-22 by Trio Music Co., Inc./Fort Knox Music Inc./Medal Music (BMI) Track 2-26 by "Kansas" Jerry Leiber Music/Mike Stoller Music/Nancy Nathan Goldstein (ASCAP).  "Hey, Hey, Hey, Hey" by Venice Music Inc.  All rights controlled and administered by EMI Blackwood Music Inc,, under license from ATV Music (BMI) Manufactured by Capitol Records, Inc., 1750 Vine Street, Hollywood, California 90028.  Printed in U.S.A. (p) 1995 The Copyright in this compilation is owned by Apple Corps Ltd / EMI Records Ltd. © 1995 Apple Corps Ltd. under exclusive license to <a href="/label/EMI+Records+Ltd." target="_new">EMI Records Ltd.</a> -------------------------------------------------------------------------------- foobar2000 1.3.6 / Dynamic Range Meter 1.1.1 log date: 2015-10-13 16:57:09 -------------------------------------------------------------------------------- Analyzed: The Beatles / Anthology 1, Disc 1 -------------------------------------------------------------------------------- DR         Peak         RMS     Duration Track -------------------------------------------------------------------------------- DR10      -2.04 dB   -13.55 dB      4:25 01-Free as a Bird DR14      -6.95 dB   -22.67 dB      0:12 02-We Were Four Guys… That's All (interview) DR12      -1.50 dB   -15.18 dB      2:08 03-That'll Be the Day DR11      -1.50 dB   -15.05 dB      2:45 04-In Spite of All the Danger DR14      -7.88 dB   -24.14 dB      0:18 05-Sometimes I'd Borrow… Those Still Exist (interview) DR9        -2.74 dB   -13.92 dB      1:13 06-Hallelujah, I Love Her So DR9        -2.49 dB   -14.19 dB      1:39 07-You'll Be Mine DR11      -1.05 dB   -14.49 dB      1:14 08-Cayenne DR14      -3.71 dB   -18.90 dB      0:07 09-First of All… It Didn't Do a Thing Here (interview) DR12      -1.50 dB   -15.29 dB      2:42 10-My Bonnie DR12      -2.29 dB   -15.34 dB      2:13 11-Ain't She Sweet DR12      -2.33 dB   -16.56 dB      2:22 12-Cry For a Shadow DR12      -5.65 dB   -18.89 dB      0:10 13-Brian Was a Beautiful Guy… He Presented Us Well (interview) DR14      -5.03 dB   -21.56 dB      0:18 14-I Secured Them… a Beatle Drink Even Then (reading) DR12      -3.00 dB   -15.60 dB      3:00 15-Searchin' DR11      -2.77 dB   -15.16 dB      2:25 16-Three Cool Cats DR12      -2.56 dB   -16.45 dB      1:43 17-The Sheik of Araby DR12      -1.76 dB   -15.28 dB      2:36 18-Like Dreamers Do DR10      -2.85 dB   -15.64 dB      1:40 19-Hello Little Girl DR13      -4.92 dB   -20.26 dB      0:32 20-Well, the Recording Test… by My Artists (reading) DR14      -1.50 dB   -16.40 dB      2:37 21-Besame Mucho DR13      -2.00 dB   -17.10 dB      2:32 22-Love Me Do DR12      -1.53 dB   -15.87 dB      1:57 23-How Do You Do It DR11      -2.50 dB   -14.60 dB      1:59 24-Please Please Me DR11      -2.50 dB   -16.58 dB      2:23 25-One After 909 (sequence) DR11      -2.50 dB   -15.20 dB      2:56 26-One After 909 (complete) DR11      -1.76 dB   -14.39 dB      1:50 27-Lend Me Your Comb DR10      -3.08 dB   -14.71 dB      2:08 28-I'll Get You DR13      -4.71 dB   -20.74 dB      0:12 29-We Were Performers… in Britain (interview) DR12      -2.50 dB   -16.05 dB      2:49 30-I Saw Her Standing There DR13      -1.50 dB   -16.51 dB      2:05 31-From Me to You DR13      -2.02 dB   -16.63 dB      2:52 32-Money (That's What I Want) DR13      -2.50 dB   -17.06 dB      2:58 33-You Really Got a Hold on Me DR13      -2.53 dB   -16.95 dB      2:22 34-Roll Over Beethoven -------------------------------------------------------------------------------- Number of tracks:  34 Official DR value: DR12 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 798 kbps Codec: FLAC -------------------------------------------------------------------------------- foobar2000 1.3.6 / Dynamic Range Meter 1.1.1 log date: 2015-10-13 16:58:01 -------------------------------------------------------------------------------- Analyzed: The Beatles / Anthology 1, Disc 2, Disc 2 -------------------------------------------------------------------------------- DR         Peak         RMS     Duration Track -------------------------------------------------------------------------------- DR10      -0.84 dB   -12.73 dB      2:50 01-She Loves You DR10      -2.16 dB   -14.56 dB      2:54 02-Till There Was You DR10      -0.95 dB   -12.31 dB      3:05 03-Twist and Shout DR11      -0.50 dB   -12.76 dB      2:22 04-This Boy DR10      -0.50 dB   -11.89 dB      2:37 05-I Want to Hold Your Hand DR12      -2.53 dB   -17.08 dB      2:06 06-Boys, What I Was Thinking (comedy) DR10      -3.11 dB   -15.30 dB      0:50 07-Moonlight Bay DR12      -0.50 dB   -13.16 dB      2:10 08-Can't Buy Me Love DR11      -0.50 dB   -12.40 dB      2:19 09-All My Loving DR12      -0.50 dB   -13.65 dB      2:42 10-You Can't Do That DR11      -0.50 dB   -13.04 dB      1:52 11-And I Love Her DR10      -0.50 dB   -12.01 dB      2:44 12-A Hard Day's Night DR11      -0.50 dB   -12.24 dB      1:48 13-I Wanna Be Your Man DR10      -0.50 dB   -12.45 dB      1:45 14-Long Tall Sally DR10      -0.50 dB   -12.02 dB      1:50 15-Boys DR11      -0.00 dB   -12.87 dB      1:31 16-Shout DR11      -0.50 dB   -13.34 dB      1:13 17-I'll Be Back (take 2) DR11      -0.50 dB   -12.70 dB      1:58 18-I'll Be Back (take 3) DR12      -0.50 dB   -13.81 dB      1:59 19-You Know What to Do DR12      -0.50 dB   -13.87 dB      1:46 20-No Reply (Demo) DR11      -0.50 dB   -13.66 dB      2:47 21-Mr. Moonlight DR12      -0.50 dB   -14.30 dB      2:57 22-Leave My Kitten Alone DR12      -0.50 dB   -14.76 dB      2:29 23-No Reply DR12      -1.21 dB   -18.25 dB      1:25 24-Eight Days a Week (sequence) DR12      -0.50 dB   -13.61 dB      2:48 25-Eight Days a Week (complete) DR12      -0.50 dB   -13.91 dB      2:44 26-Kansas City / Hey‐Hey‐Hey‐Hey! -------------------------------------------------------------------------------- Number of tracks:  26 Official DR value: DR11 Samplerate: 44100 Hz Channels: 2 Bits per sample: 16 Bitrate: 850 kbps Codec: FLAC--------------------------------------------------------------------------------