Reviews |
All Music Guide Review:
Review by Ted Mills
The Fall's contractual obligation album. With Brix leaving (or left, depending on your history) the group, this is a hastily assembled selection of what sound like Frenz Experiment outtakes and nine live tracks, their last for Beggars Banquet. These opening five tracks would have made a nice EP supporting the single "Deadbeat Descendant," the first song featured on the album. They're not among their best, but "H.O.W. (History of the World)" has a certain grim stateliness to it, with a grungy bassline by Hanley leading the group. "Pinball Machine" continues in Smith's long line of rockabilly covers. The remaining live tracks are competent and follow their studio counterparts well enough, but nothing more.
Mark Prindle Review:
Seminal Live - Beggars Banquet 1989.
7 out of 10
I guess that'd be a "yeah," since they only completed one more side of studio recordings (only half of it decent) before Brix hit the road. "Dead Beat Descendant" is one of the swellest ditties she ever co-wrote (although that distorted guitar playing the cool second melody is a tad quiet in the mix, don't you think?). Actually, "Squid Law" is pretty great, too, but the other new tracks don't do a whole lot. The live stuff sounds good, though. It's basically a decent record - just completely unnecessary, that's all. Like Bob Dole.
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