Anna Von Hausswolff / Dead Magic
Artist Anna Von Hausswolff
Album Title: Dead Magic
Album Cover:
Primary Genre Alternative & Punk: Indie
Format AIFF 24.96
Released 03/02/2018
Label City Slang
Catalog No NONE
Bar Code No 4250506828677
Packaging Download
Tracks
1. The Truth, the Glow, the Fall (12:07)
2. The Mysterious Vanishing of Electra (6:08)
3. Ugly and Vengeful (16:17)
4. The Marble Eye (5:18)
5. Källans Återuppståndelse (7:26)
Date Acquired 02/09/2025
Personal Rating
Acquired from Qobuz
Purchase Price 10.00

Web Links

All Music Guide Entry:
Bandcamp Entry:
Discogs Entry:
MusicBrainz Entry:
Wikipedia Entry:

Notes

Notes:
℗ & © 2018 Pomperipossa Records under exclusive license to City Slang.
Basic tracking at Black Tornado in Copenhagen
Recorded at Black Tornado, Art Freq Studios and Figure Eight Recording in NY
Pipe organ recorded in stereo live at Marmorkirken, special thanks to Lars Top-Galia
Mastered at Chicago Mastering

Credits:
Arranged By [String Arrangements] – Úlfur Hansson (tracks: A1, B2)
Bass Guitar – David Sabel
Cover, Photography By [Cover Photo By] – Maria Von Hausswolff
Design, Layout – Anna von Hausswolff, Magnus Andersson
Drums – Ulrik Ording
Guitar – Joel Fabiansson, Karl Vento
Lacquer Cut By – JW
Liner Notes [Quote] – Walter Ljungquist
Mastered By – Jason Ward
Mellotron, Synthesizer [Korg MS-20], Sound Designer [Granular Synthesis] – Randall Dunn
Music By, Lyrics By, Written-By [Music And Lyrics Written By] – Anna von Hausswolff
Organ [Pipe Organ], Mellotron, Vocals – Anna von Hausswolff
Percussion – Shahzad Ismaily (tracks: A1)
Recorded By, Producer, Mixed By – Randall Dunn
Sleeve, Artwork [Inner Sleeve Drawing] – Anna von Hausswolff
Strings [Strings Performed By] – Gyda Valtysdottir (tracks: A1, B2)
Synthesizer [Synthesizers] – Filip Leyman
Tracking By [Basic Tracking Assisted By] – Johan Lei Gellett

Companies, Etc.:
Phonographic Copyright ℗ – Pomperipossa Records
Copyright © – Pomperipossa Records
Licensed To – City Slang
Recorded At – Black Tornado
Recorded At – Artfreq. Recordings
Recorded At – Figure 8 Recording, Brooklyn, NYC, NY
Recorded At – Marmorkirken
Mastered At – Chicago Mastering Service
Lacquer Cut At – Chicago Mastering Service
Published By – Misty Music

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Analyzed Folder: Anna von Hausswolff - Dead Magic_dr.txt
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DR       Peak        RMS      Filename            
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DR8   -0.52 dB   -10.99 dB  01 - The Truth, the Glow, the Fall.aif
DR7   -0.52 dB   -09.39 dB  02 - The Mysterious Vanishing of Electra.aif
DR8   -0.52 dB   -10.93 dB  03 - Ugly and Vengeful.aif    
DR7   -0.52 dB   -10.02 dB  04 - The Marble Eye.aif      
DR6   -0.52 dB   -09.33 dB  05 - Källans återuppståndelse.aif
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Number of Files: 5
Official DR Value: DR7
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Reviews
All Music Guide Review by Thom Jurek:

Swedish singer, composer, and organist Anna Von Hausswolff delivered The Miraculous in 2015, an exercise that evolved from the Gothic pop of her earlier records towards blackened folk-metal and post-rock via a 9,000-pipe Acusticum Organ.

Dead Magic was recorded in nine days with her band, strings (arranged by Ulfur Hansson) and producer Randall Dunn. Her instrument of choice was a 20th century pipe organ in Marmor Kirken, Copenhagen's "Marble Church." This date contains only five tracks -- two are well over 10-minutes long. Von Hausswolff was cryptic about the set's inspirations, introducing it with a quote from the late Swedish poet Walter Ljungquist: "Take the fate of a human being, a thin pathetic line that contours and encircles an infinite and unknown silence. It is in this very silence, in an only imagined and unknown centre, that legends are born. Alas! That is why there are no legends in our time. Ours is a time deprived of silence and secrets; in their absence no legends can grow."

Opener "The Truth, The Glow, The Fall" is over 12 minutes; it illustrates that premise in the droning pulse of the organ, synth, strings, and drums. Von Hausswolff uses the organ's pedals and whirling pipes to set the pace, allowing her remarkable voice to equate the passionate futility of the human condition with the stark savagery of nature. Layers of chords and tender violins add overtone drones to the melody, as music spirals and gradually unwinds amid an echoing sonic din. Single "The Mysterious Vanishing of Electra" initially sounds inspired by folk-metal, with Earth-esque guitars, rumbling, dirgey tom-toms, and layers of natural reverb, but Von Hausswolff wails like a maniacal blues singer (think Diamanda Galas' solo vocal and piano outings) over a hypnotic, menacing vamp, eventually digging inside herself to project passionate shrieks and growls that add immense emotional impact. The album's hinge is the nearly 17-minute "Ugly and Vengeful." Slow, simmering organ drones, guitar chords, wordless, and bittersweet chanted vocals offer an intro worthy of Dreyfuss' Nosferatu, as siren-like peals, shimmering dark cymbals, and dour chords carry over. When Von Hausswolff starts singing, her multi-tracked vocals offer monotonal whispers that introduce the rest of the drum kit, the organ's full droning power, and ultimately crashing power guitar chords. She eventually soars above them, adding drama, pain, and a haunted, hunted spirituality. The pace picks up in the final third with distorted guitars, pummeling kick drums, and masterful, angular organ arpeggios cascading and swirling through the middle. Closer "Källans Återuppståndelse" commences as an instrumental ballad before her aching vocal and violins cut through the organ-blasted soundscape. She offers a different glimpse of the unspeakable, the unknowable, before it and Dead Magic dissolve into silence. As promising as Von Hausswolff's earlier records are, this one towers over them and above it in terms of musical imagination and emotional impact. It's not an easy or gentle listen, but it is unforgettable and constantly rewarding.
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