10cc / Live and Let Live
Artist 10cc
Album Title: Live and Let Live
Album Cover:
Primary Genre Rock
Format Vinyl (2)
Released 00/00/1977
Label Mercury
Catalog No SRM-2-8600
Bar Code No none
Packaging Gatefold LP Sleeve
Tracks
Live and Let Live (Disc 1)
A1. The Second Sitting for the Last Supper (5:18)
A2. You've Got a Cold (3:50)
A3. Honeymoon with B Troop (3:01)
A4. Art for Art's Sake (8:07)
A5. People in Love (4:13)
B1. Wall Street Shuffle (4:12)
B2. Ship's Don't Disappear in the Night (Do They?) (7:26)
B3. I'm Mandy Fly Me (5:52)
B4. Marriage Bureau Rendezvous (4:38)
Live and Let Live (Disc 2)
A1. Good Morning Judge (3:06)
A2. Feel the Benefit (13:12)
A3. The Things We Do for Love (4:23)
B1. Waterfall (7:25)
B2. I'm Not in Love (6:34)
B3. Modern Man Blues (9:15)
Date Acquired 07/15/2020
Personal Rating
Acquired from Electric Fetus - Minneapolis
Purchase Price 20.00

Web Links

All Music Guide Entry:
Discogs entry:
MusicBrainz Entry:
Wikipedia Entry:

Notes

Notes:
Recorded at the Odeon Theatre Hammersmith London 18th - 20th June 1977 and Apollo Theatre Manchester 16th & 17th July 1977.
Live recording by The Island Mobile. Mixdown - Strawberry Recording Studios (UK) Ltd., 3 Waterloo Road, Stockport, England. Sound reinforcement system designed by Formula Sound Ltd., 3 Waterloo Road, Stockport, England.

All selections published by Man-Ken Music Ltd. (BMI).
℗ 1977 Phonogram Ltd. © 1977 Phonogram, Inc., a Polygram Company, One IBM Plaza, Chicago, Ill. 60611. Printed in U.S.A. Distributed by Phonodisc Inc.

Presented as a double album in a gatefold sleeve with plain inner sleeves. Credits are taken from the inner gatefold.
Errata: Track timing for C2 listed as 3:12 on the rear cover. All track timings taken from the centre labels.

Credits:
Backing Vocals, Bass Guitar, Guitar – Ric Fenn
Backing Vocals, Drums, Percussion – Stuart Tosh
Coordinator [Live Recording Co-ordination] – Ric Dixon
Crew [Stage Crew] – Charlie Pile, David Hutchinson, Graham Youle, Ian Leach, Ian Scott, Roger Barnes
Drums, Percussion, Electric Piano, Vibraphone [Vibes] – Paul Burgess
Engineer [Concert Sound] – Keith Bessey
Engineer [Live Recording] – Phil Ault
Engineer [Mixdown Assistant] – David Rohl, Keith Bessey, Richard Scott, Tony Spath
Engineer [Mixdown] – Eric Stewart
Instruments [All Instruments Played By] – Eric Stewart, Graham Gouldman, Paul Burgess, Ric Fenn, Stuart Tosh, Tony O'Malley
Lacquer Cut By – Melys
Lead Vocals, Bass Guitar, Guitar – Graham Gouldman
Lead Vocals, Grand Piano, Electric Piano, Backing Vocals, Organ, Claviola [Clavoline], Synthesizer [Minimoog, Polymoog] – Tony O'Malley
Lead Vocals, Guitar, Grand Piano, Electric Piano – Eric Stewart
Lighting [Lighting Design] – Jimmy Barnett
Management – Harvey Lisberg, Ric Dixon
Management [British Tour Manager] – Jim Sullivan
Management [Equipment And Stage Manager] – Gordon 'Zeb' White
Mastered By – Melvyn Abrahams
Other [Concert Booking] – Danny Betesh
Other [Driver, Crew] – Mike Brown
Other [Driver, Equipment] – Francis Finn, John Collins
Other [Publicity, Phonogram Ltd.] – Karen Fox
Photography By – Gered Mankowitz
Producer – Eric Stewart, Graham Gouldman
Written-By – Eric Stewart, Graham Gouldman, Kevin Godley (tracks: A1, B3), Lol Creme (tracks: A1)

Companies, Etc.:
Manufactured By – Phonogram, Inc.
Distributed By – Phonodisc, Inc.
Pressed By – Columbia Records Pressing Plant, Terre Haute
Recorded At – Hammersmith Odeon
Recorded At – Manchester Apollo
Recorded At – Island Mobile
Mixed At – Strawberry Studios

Barcode and othher Identifiers:
Matrix / Runout (A-side): MELYS T SRM-2-A-4-CT 8600
Matrix / Runout (B-side): T MELYS SRM-2-8600-B-4-CT
Matrix / Runout (C-side): T MELYS SRM-2-8600-C-4-CT
Matrix / Runout (D-side): MELYS T SRM-2-8600-D-3-CT

Reviews
All Music Guide Review by Dave Thompson:

The time for a 10cc live album would have been as they toured The Original Soundtrack with one of the most adventurous -- not to mention musically extravagant -- shows of the age. Instead, they waited two more years, until the newly reduced Eric Stewart/Graham Gouldman-led lineup headed out to promote the first LP since the split, Deceptive Bends, buoyed by the fact that the hits just kept on coming. It is a fun listen on its own terms, a double-vinyl package that wraps a hard-hitting rock show around a good selection of hits. But it is also an unsatisfying venture, as it duplicates all but one track from Deceptive Bends, then avoids any reference to the Godley/Creme era by confining the hits to Stewart and Gouldman compositions alone. That this includes one song previously valued no higher than a B-side ("Waterfall") is an advantage of this approach; unfortunately, you also realize just how straightforward and rocky the duo's writing could be, and Live and Let Live emerges less a document of a great live performance than a desperate résumé, the surviving bandmembers so intent upon proving their own worth that they forgot what made the band so special in the first place.
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