The Rolling Stones / Stripped
Artist The Rolling Stones
Album Title: Stripped
Album Cover:
Primary Genre Rock: Classic Rock
Format CD
Released 10/12/1995
Label Virgin BeneLux B.V.
Catalog No 7243 8 45438 2 2
Bar Code No 7 2438-45438-2 2
Packaging Jewelcase
Tracks
1. Street Fighting Man (3:41)
2. Like A Rolling Stone (5:39)
3. Not Fade Away (3:06)
4. Shine A Light (4:38)
5. The Spider And The Fly (3:28)
6. I'm Free (3:12)
7. Wild Horses (5:09)
8. Let It Bleed (4:15)
9. Dead Flowers (4:13)
10. Slipping Away (4:55)
11. Angie (3:28)
12. Love In Vain (5:31)
13. Sweet Virginia (4:15)
14. Little Baby (4:00)
Date Acquired 07/26/2022
Personal Rating
Acquired from Electric Fetus - Minneapolis
Purchase Price 3.99

Web Links

All Music Guide Entry:
Discogs entry:

Notes

Notes:
All tracks from performances at The Paradiso Club, Amsterdam, Holland; The Olympia Theatre, Paris, France; and rehearsals in Tokyo, Japan and Lisbon, Portugal.
℗1995 Virgin Records Benelux B.V. /©1995 Promotone B.V.

Credits:
Backing Vocals – Bernard Fowler, Chuck Leavell (tracks: 7, 9, 10, 13), Darryl Jones (tracks: 10), Lisa Fisher
Bass Guitar – Darryl Jones (tracks: 10)
Design [Sleeve] – The Design Corporation
Keyboards – Chuck Leavell (tracks: 7, 9, 10, 13)
Mastered By – Stephen Marcussen
Mixed By – Bob Clearmountain, Ryan Freeland
Organ – Don Was (tracks: 4)
Percussion – Bernard Fowler (tracks: 1, 8, 9)
Photography By – Anton Corbijn
Producer – Don Was, The Glimmer Twins
Recorded By – Chris Kimsey (tracks: 2, 9), Ed Cherney (tracks: 1, 3 to 8, 10 to 14)
Saxophone – Andy Snitzer, Bobby Keys
Trombone – Michael Davis
Trumpet – Kent Smith
Written-By – M. Jagger/K. Richards (tracks: 1, 4 to 13)

Companies, etc.:
Phonographic Copyright ℗ – Virgin Benelux B.V.
Copyright © – Promotone B.V.
Recorded At – Paradiso Amsterdam
Recorded At – L'Olympia
Mixed At – Mix This!
Mastered At – Precision Mastering
Manufactured By – Virgin Records America, Inc.

--------------------------------------------------------------------------
Analyzed Folder: The Rolling Stones - Stripped_dr.txt
--------------------------------------------------------------------------
DR       Peak           RMS      Filename            
--------------------------------------------------------------------------
DR6   -8.06 dB   -15.49 dB  01 - Street Fighting Man.aif  
DR7   -8.19 dB   -16.24 dB  02 - Like a Rolling Stone.aif
DR8   -9.72 dB   -18.40 dB  03 - Not Fade Away (stripped).aif
DR8   -8.27 dB   -18.56 dB  04 - Shine a Light.aif  
DR9   -9.76 dB   -20.97 dB  05 - The Spider and the Fly (stripped).aif
DR8   -8.56 dB   -18.29 dB  06 - I'm Free (stripped).aif  
DR8   -8.36 dB   -18.87 dB  07 - Wild Horses (stripped).aif
DR7   -8.18 dB   -16.29 dB  08 - Let It Bleed.aif    
DR7   -8.06 dB   -16.58 dB  09 - Dead Flowers.aif    
DR7   -8.93 dB   -18.89 dB  10 - Slipping Away (stripped).aif
DR9   -8.18 dB   -18.72 dB  11 - Angie.aif      
DR9   -8.57 dB   -20.44 dB  12 - Love in Vain (stripped).aif
DR7   -8.79 dB   -18.01 dB  13 - Sweet Virginia (stripped).aif
DR8   -8.79 dB   -18.07 dB  14 - Little Baby (stripped).aif
--------------------------------------------------------------------------
Number of Files: 14
Official DR Value: DR8
--------------------------------------------------------------------------

Reviews
All Music Guide Stripped Review by Roch Parisien:

Despite the odds, the Rolling Stones' Stripped held out great promise. Voodoo Lounge was an energized return to studio form for the Borg of rock & roll road shows. From that platform, the idea of taking it back to small clubs -- live, lean, and pared-down without succumbing to the worn "unplugged" treadmill -- seemed an inspired move. Patched together from an embroidery of tour rehearsals and live club dates in Paris and Amsterdam, the project was an extension of acoustic sets the group introduced on the North American leg of the Voodoo Lounge tour. The concept offered an invigorating opportunity to dust off some rough gems from the past that no longer felt at home on sloping stadium stages. Unfortunately, the cover photo depicting a lean, determined, leather-clad combo in Spartan black and white proves to be misleading advertising. Within the brave packaging lies a listless, lethargic Dorian Gray bluff. Spongy keyboards gunk many of the tracks. The much-touted cover of Dylan's "Like a Rolling Stone" remains pointlessly devoted to the original. There are lazy, somnambulant versions of "I'm Free" and "Let It Bleed"; Keith Richards' "Slipping Away" is painfully intoned; and there are dozens of lost songs that any fan would choose to have renovated before "Angie."


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