| Artist |
Max Richter |
| Album Title: |
Three Worlds: Music From Woolf Works |
| Album Cover: |
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| Primary Genre |
Electronic |
| Format |
AIFF 24.48 |
| Released |
01/27/2017 |
| Label |
Deutsche Grammophon |
| Catalog No |
NONE |
| Bar Code No |
none |
| Packaging |
Download |
| Tracks |
| 1.
|
Words (1:02)
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| 2.
|
In The Garden (5:17)
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| 3.
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War Anthem (6:56)
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| 4.
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Meeting Again (6:07)
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| 5.
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Memory Is The Seamstress (0:35)
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| 6.
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Modular Astronomy (3:14)
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| 7.
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Entropy (1:32)
|
| 8.
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Transformation (2:06)
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| 9.
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Morphology (3:07)
|
| 10.
|
The Tyranny Of Symmetry (1:27)
|
| 11.
|
The Explorers (2:05)
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| 12.
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Persistence Of Images (3:16)
|
| 13.
|
Genesis Of Poetry (3:54)
|
| 14.
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Possibles (1:29)
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| 15.
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Love Songs (2:34)
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| 16.
|
Tuesday (21:38)
|
|
| Date Acquired |
01/03/2022 |
| Personal Rating |
 |
| Acquired from |
Qobuz |
| Purchase Price |
6.99 |
Web Links |
Discogs entry:
All Music Guide Entry: |
Notes |
Cello – Chris Worsey, Ian Burdge
Cello [Solo Cello] – Hila Karni (tracks: 3; 16), Ian Burdge (tracks: 11)
Conductor – Robert Ziegler
Coordinator [Project Coordinator] – Rebecca Drake-Brockman
Design – Mareike Walter
Executive-Producer – Christian Badzura, Yulia Mahr
Management [Artist Management] – Steve Abbott
Mastered By – Mandy Parnell
Mixed By – Jon Bailey
Musical Assistance [Composer's Assistant] – Henning Fuchs
Orchestra – Deutsches Filmorchester Babelsberg
Photography By – akg-images
Photography By [Cover] – Jeff Hornbaker, plainpicture
Photography By [Inside Back Cover], Photography By [Back Cover] – PhotoCase
Photography By [Inside Front Cover] – Rhys Frampton
Piano, Synthesizer [Modular Synthesiser], Liner Notes, Producer, Mixed By, Composed By – Max Richter
Project Manager – Anna-Lena Rodewald
Read By – Gillian Anderson (tracks: 16), Sarah Sutcliffe (tracks: 5), Virginia Woolf (tracks: 1)
Recorded By – Geoff Foster
Recorded By [Assistant] – Chris Barrett, Falko Duczmal
Recorded By, Mixed By – Nick Wollage
Score [Score Preparation] – Dave Foster (6)
Soprano Vocals [Solo Soprano] – Grace Davidson (tracks: 16)
Viola – John Metcalfe
Violin – Louisa Fuller, Natalia Bonner
Violin [Solo Violin] – Mari Samuelsen (tracks: 8; 16)
Phonographic Copyright ℗ – Deutsche Grammophon GmbH
Copyright © – Deutsche Grammophon GmbH
Published By – Mute Song
Recorded At – StudioKino, Berlin
Recorded At – Air Lyndhurst Hall
Recorded At – Studio Babelsberg
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Analyzed Folder: Richter, Max - Three Worlds - Music From Woolf Works_dr.txt
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR18 -1.49 dB -22.74 dB 01 - Mrs. Dalloway Words.aif
DR11 -0.80 dB -15.35 dB 02 - Mrs. Dalloway In the Garden.aif
DR10 -0.10 dB -14.53 dB 03 - Mrs. Dalloway War Anthem.aif
DR11 -0.92 dB -17.54 dB 04 - Mrs. Dalloway Meeting Again.aif
DR12 -5.07 dB -22.51 dB 05 - Orlando Memory Is the Seamstress.aif
DR10 -0.15 dB -12.29 dB 06 - Orlando Modular Astronomy.aif
DR12 -4.30 dB -20.09 dB 07 - Orlando Entropy.aif
DR09 -0.14 dB -11.43 dB 08 - Orlando Transformation.aif
DR08 -0.15 dB -12.70 dB 09 - Orlando Morphology.aif
DR10 -0.15 dB -11.15 dB 10 - Orlando The Tyranny of Symmetry.aif
DR11 -4.83 dB -21.64 dB 11 - Orlando The Explorers.aif
DR10 -0.15 dB -13.77 dB 12 - Orlando Persistence of Images.aif
DR10 -4.06 dB -19.02 dB 13 - Orlando Genesis of Poetry.aif
DR11 -4.58 dB -21.28 dB 14 - Orlando Possibles.aif
DR14 -2.64 dB -24.39 dB 15 - Orlando Love Songs.aif
DR11 -0.15 dB -15.97 dB 16 - The Waves Tuesday.aif
----------------------------------------------------------------------------------------------
Number of Files: 16
Official DR Value: DR11
----------------------------------------------------------------------------------------------
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| Reviews |
Max Richter: Three Worlds – Music from Woolf Works Review by James Manheim:
German-British composer Max Richter has been known mostly for his film scores. One of the best of them, that for Arrival, was heard by millions of people and was ideally timed to attract listeners to some of Richter's non-cinematic music. Three Worlds -- Music from Woolf Works was abridged from a ballet entitled Woolf Works, which consisted mostly of short chunks that work reasonably well in abstract form. Each of the work's three sections begins with a spoken quotation from Virginia Woolf herself, the first of them consisting of an actual recording of Woolf's voice from 1937; the other two are read by actresses. The rest of the movements are instrumental and are connected to a greater or lesser degree to the three novels named in the titles of the three sections, Mrs Dalloway, Orlando, and The Waves. Only the Woolf quotation for Orlando comes from the novel named in its section title. The music in that section consists of a set of variations on the Baroque-era-ground La Folia, and the medium is constantly shifting: from full orchestra to chamber instruments, solo groups, and electronic variations (the music is performed by Richter himself on piano and synthesizer, plus the Deutches Filmorchester Babelsberg and assorted other musicians). You wouldn't guess Virginia Woolf if you heard it cold, but the music is not quite like anything else you will have heard. The final section, by contrast, has a powerfully direct emotional impact. The opening reading, spoken by Gillian Anderson, is taken from Woolf's suicide note, and although Richter indicates that the rest of the music evokes the poetic mood of The Waves, its intense climax (unlike the rest of the music, this is a lengthy movement of more than 20 minutes) seems to keep the suicide note in the listener's mind. Although the work as a whole is not a film score, it has the flavor of one, and it opens up intriguing possibilities for the expansion of that language to other settings. Certainly recommended for anyone who has noticed and liked the music for Arrival.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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| Cover 6 |
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| Cover 7 |
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| Cover 8 |
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| Cover 9 |
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