The Beatles / Beatles For Sale
Artist The Beatles
Album Title: Beatles For Sale
Album Cover:
Primary Genre Rock: Classic Rock
Format CD
Released 12/04/1964
Reissue Date 00/00/1992
Label EMI Records Ltd.
Catalog No CDP 7 46438 2
Bar Code No 0 7777-46438-2 5
Packaging Jewelcase
Tracks
1. No Reply (2:17)
(John Lennon/Paul McCartney)
2. I'm A Loser / (2:33)
(John Lennon/Paul McCartney)
3. Baby's In Black / (2:07)
(John Lennon/Paul McCartney)
4. Rock And Roll Music / (2:33)
(Chuck Berry)
5. I'll Follow The Sun / (1:51)
(John Lennon/Paul McCartney)
6. Mr. Moonlight / (2:37)
(Roy Lee Johnson)
7. Medley a. Kansas City b. Hey ,Hey, Hey, Hey / (2:33)
(Jerry Lieber/Mike Stoller/Richard Penniman)
8. Eight Days A Week / (2:45)
(John Lennon/Paul McCartney)
9. Words Of Love / (2:14)
(Buddy Holly)
10. Honey Don't / (2:59)
(Carl Perkins)
11. Every Little Thing / (2:04)
(John Lennon/Paul McCartney)
12. I Don't Want To Spoil The Party / (2:36)
(John Lennon/Paul McCartney)
13. What You're Doing / (2:34)
(John Lennon/Paul McCartney)
14. Everybody's Trying To Be My Baby / (2:23)
(Carl Perkins)
Date Acquired 01/01/1990
Personal Rating
Acquired from Down In The Valley
Purchase Price 11.00

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

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foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2013-12-14 15:34:21
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Analyzed: The Beatles / Beatles for Sale
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DR         Peak         RMS     Duration Track
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DR10      -2.81 dB   -14.47 dB      2:18 01-No Reply
DR9        -2.37 dB   -13.13 dB      2:34 02-I'm a Loser
DR9        -1.74 dB   -13.16 dB      2:08 03-Baby's in Black
DR9        -1.38 dB   -12.06 dB      2:34 04-Rock and Roll Music
DR10      -2.56 dB   -14.49 dB      1:51 05-I'll Follow the Sun
DR9        -2.30 dB   -13.34 dB      2:37 06-Mr. Moonlight (Johnson)
DR9        -2.05 dB   -12.84 dB      2:33 07-Medley a. Kansas City  b. Hey, Hey, Hey, Hey
DR10      -1.57 dB   -12.79 dB      2:45 08-Eight Days a Week
DR10      -0.71 dB   -12.51 dB      2:15 09-Words of Love
DR10      -1.09 dB   -13.05 dB      3:00 10-Honey Don't
DR10      -0.00 dB   -11.51 dB      2:05 11-Every Little Thing
DR10      -0.44 dB   -11.43 dB      2:36 12-I Don't Want to Spoil the Party
DR9        -1.45 dB   -12.43 dB      2:35 13-What You're Doing
DR10      -0.49 dB   -11.68 dB      2:24 14-Everybody's Trying to Be My Baby (Perkins)
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Number of tracks:  14
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 732 kbps
Codec: FLAC
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Reviews
All Music Guide Review:

Review by Stephen Thomas Erlewine

It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles, but the weariness of Beatles for Sale comes as something of a shock. Only five months before, the group released the joyous A Hard Day's Night. Now, they sound beaten, worn, and, in Lennon's case, bitter and self-loathing. His opening trilogy ("No Reply," "I'm a Loser," "Baby's in Black") is the darkest sequence on any Beatles record, setting the tone for the album. Moments of joy pop up now and again, mainly in the forms of covers and the dynamic "Eight Days a Week," but the very presence of six covers after the triumphant all-original A Hard Day's Night feels like an admission of defeat or at least a regression. (It doesn't help that Lennon's cover of his beloved obscurity "Mr. Moonlight" winds up as arguably the worst thing the group ever recorded.) Beneath those surface suspicions, however, there are some important changes on Beatles for Sale, most notably Lennon's discovery of Bob Dylan and folk-rock. The opening three songs, along with "I Don't Want to Spoil the Party," are implicitly confessional and all quite bleak, which is a new development. This spirit winds up overshadowing McCartney's cheery "I'll Follow the Sun" or the thundering covers of "Rock & Roll Music," "Honey Don't," and "Kansas City/Hey-Hey-Hey-Hey!," and the weariness creeps up in unexpected places -- "Every Little Thing," "What You're Doing," even George's cover of Carl Perkins' "Everybody's Trying to Be My Baby" -- leaving the impression that Beatlemania may have been fun but now the group is exhausted. That exhaustion results in the group's most uneven album, but its best moments find them moving from Merseybeat to the sophisticated pop/rock they developed in mid-career.
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