Al Di Meola / Scenario
Artist Al Di Meola
Album Title: Scenario
Album Cover:
Primary Genre Jazz: Fusion
Format Vinyl
Released 00/00/1983
Label Columbia Records/CBS Inc.
Catalog No FC 38944
Bar Code No 0 7464-38944-1
Packaging LP Sleeve
Tracks
A1. Mata Hari (6:04)
A2. African Night (4:51)
A3. Island Dreamer (4:06)
A4. Scenario (3:55)
B1. Sequencer (4:06)
B2. Cachaca (5:34)
B3. Hypnotic Conviction (3:51)
B4. Calliope (4:19)
B5. Scoundrel (3:44)
Date Acquired 00/00/1986
Personal Rating
Acquired from Roadrunner Records
Purchase Price 10.00

Web Links

All Music Guide entry:
Discogs entry:

Notes

A Digital Recording.
Phil Collins appears courtesy of Atlantic Records Corporation. Bill Bruford appears courtesy of E.G. Records Ltd.
Co-producer, Engineer – Dennis Mackay
Design [Album] – John Berg
Engineer [Assistant] – Jerry Mahler, Rich Markowitz
Executive-Producer – Philip Roberge
Mastered By – Bernie Grundman
Photography By – David Kennedy
Producer – Al Di Meola
Written-By – A. Di Meola (tracks: A1, A2, A4, B2 to B5), J. Hammer (tracks: A3, B1, B3, B5)
Recorded At – Caribou Ranch
Mastered At – A&M Studios
Barcode (Text): 0 7464-38944-1
Barcode (Scanned): 074643894418
Matrix / Runout (A Side Etched): PAL38944-1D
Matrix / Runout (B Side Etched): PBL38944-1C
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Analyzed Folder: Scenario_dr.txt
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DR         Peak       RMS        Filename                      
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DR14       -0.92 dB   -18.29 dB  01 - Mata Hari.flac          
DR12       -1.44 dB   -16.62 dB  02 - African Night.flac      
DR14       -0.00 dB   -15.77 dB  03 - Island Dreamer.flac      
DR14       -0.27 dB   -19.07 dB  04 - Scenario.flac            
DR10       -2.77 dB   -15.95 dB  05 - Sequencer.flac          
DR14       -0.00 dB   -17.01 dB  06 - Cachaca.flac            
DR13       -1.07 dB   -17.24 dB  07 - Hypnotic Conviction.flac
DR14       -0.00 dB   -17.72 dB  08 - Calliope.flac            
DR12       -1.17 dB   -16.54 dB  09 - Scoundrel.flac          
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Number of Files: 9
Official DR Value: DR13
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Reviews
AllMusic Review by Robert Taylor:

With this recording, Al di Meola thankfully left behind the pop-fusion sound that he had perfected with Jan Hammer. This was his first venture using the Roland guitar synthesizer and a drum machine. The technology used on this recording sounds dated, but the intent seems genuine. Jan Hammer's Miami Vice sound can be heard throughout, especially on "Sequencer"; di Meola places more emphasis on composition and production than on his famous technique. This turns out to be a refreshing change, but it would have been nice to hear him jam with Phil Collins on "Island Dreamer" rather than lying back on what turns out to be a disappointing collaboration. "Calliope" finds di Meola aligned with Bill Bruford and Tony Levin, although this too turns out to be a disappointment. Certainly a turning point in di Meola's career, but hardly at the level of his later output.
Cover 1
Cover 2
Cover 3