Artist |
Al Di Meola |
Album Title: |
Scenario |
Album Cover: |
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Primary Genre |
Jazz: Fusion |
Format |
Vinyl |
Released |
00/00/1983 |
Label |
Columbia Records/CBS Inc. |
Catalog No |
FC 38944 |
Bar Code No |
0 7464-38944-1 |
Packaging |
LP Sleeve |
Tracks |
A1.
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Mata Hari (6:04)
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A2.
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African Night (4:51)
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A3.
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Island Dreamer (4:06)
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A4.
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Scenario (3:55)
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B1.
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Sequencer (4:06)
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B2.
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Cachaca (5:34)
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B3.
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Hypnotic Conviction (3:51)
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B4.
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Calliope (4:19)
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B5.
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Scoundrel (3:44)
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Date Acquired |
00/00/1986 |
Personal Rating |
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Acquired from |
Roadrunner Records |
Purchase Price |
10.00 |
Web Links |
All Music Guide entry: Discogs entry: |
Notes |
A Digital Recording.
Phil Collins appears courtesy of Atlantic Records Corporation. Bill Bruford appears courtesy of E.G. Records Ltd.
Co-producer, Engineer – Dennis Mackay
Design [Album] – John Berg
Engineer [Assistant] – Jerry Mahler, Rich Markowitz
Executive-Producer – Philip Roberge
Mastered By – Bernie Grundman
Photography By – David Kennedy
Producer – Al Di Meola
Written-By – A. Di Meola (tracks: A1, A2, A4, B2 to B5), J. Hammer (tracks: A3, B1, B3, B5)
Recorded At – Caribou Ranch
Mastered At – A&M Studios
Barcode (Text): 0 7464-38944-1
Barcode (Scanned): 074643894418
Matrix / Runout (A Side Etched): PAL38944-1D
Matrix / Runout (B Side Etched): PBL38944-1C
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Analyzed Folder: Scenario_dr.txt
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DR Peak RMS Filename
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DR14 -0.92 dB -18.29 dB 01 - Mata Hari.flac
DR12 -1.44 dB -16.62 dB 02 - African Night.flac
DR14 -0.00 dB -15.77 dB 03 - Island Dreamer.flac
DR14 -0.27 dB -19.07 dB 04 - Scenario.flac
DR10 -2.77 dB -15.95 dB 05 - Sequencer.flac
DR14 -0.00 dB -17.01 dB 06 - Cachaca.flac
DR13 -1.07 dB -17.24 dB 07 - Hypnotic Conviction.flac
DR14 -0.00 dB -17.72 dB 08 - Calliope.flac
DR12 -1.17 dB -16.54 dB 09 - Scoundrel.flac
----------------------------------------------------------------------------------------------
Number of Files: 9
Official DR Value: DR13
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Reviews |
AllMusic Review by Robert Taylor:
With this recording, Al di Meola thankfully left behind the pop-fusion sound that he had perfected with Jan Hammer. This was his first venture using the Roland guitar synthesizer and a drum machine. The technology used on this recording sounds dated, but the intent seems genuine. Jan Hammer's Miami Vice sound can be heard throughout, especially on "Sequencer"; di Meola places more emphasis on composition and production than on his famous technique. This turns out to be a refreshing change, but it would have been nice to hear him jam with Phil Collins on "Island Dreamer" rather than lying back on what turns out to be a disappointing collaboration. "Calliope" finds di Meola aligned with Bill Bruford and Tony Levin, although this too turns out to be a disappointment. Certainly a turning point in di Meola's career, but hardly at the level of his later output.
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Cover 1 |
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Cover 2 |
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Cover 3 |
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