| Artist |
The Motels |
| Album Title: |
Little Robbers |
| Album Cover: |
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| Primary Genre |
Rock: New Wave |
| Format |
Vinyl |
| Released |
00/00/1983 |
| Label |
Capitol Records, Inc. |
| Catalog No |
ST-12288 |
| Bar Code No |
0 7777-12288-1 |
| Packaging |
LP Sleeve |
| Tracks |
| A1.
|
Where Do We Go From Here (Nothing Sacred) (3:27)
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| A2.
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Suddenly Last Summer (3:37)
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| A3.
|
Isle Of You (4:03)
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| A4.
|
Trust Me (3:20)
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| A5.
|
Monday Shutdown (3:42)
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| B1.
|
Remember The Nights (3:07)
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| B2.
|
Little Robbers (3:43)
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| B3.
|
Into The Heartland (3:27)
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| B4.
|
Tables Turned (3:30)
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| B5.
|
Footsteps (3:40)
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| Date Acquired |
06/09/2018 |
| Personal Rating |
 |
| Acquired from |
Electric Fetus - Duluth |
| Purchase Price |
3.99 |
Web Links |
All Music Guide entry:
Discogs entry:
MusicBrainz entry: |
Notes |
Recorded January 30th to August 5th, 1983.
Includes inner sleeve with lyrics and credits.
Art Direction, Design – Kosh, Ron Larson
Bass – Michael Goodroe
Drums, Percussion – Brian Glascock
Guitar – Guy Perry
Keyboards, Guitar – Scott Thurston
Keyboards, Saxophone – Marty Jourard
Mastered By – Doug Sax
Photography By – Bob Blakeman
Producer, Recorded By – Val Garay
Recorded By [Assistant] – Richard Bosworth
Vocals, Guitar – Martha Davis
Mastered At – The Mastering Lab
Mastered At – Sheffield Lab Matrix – △5219
Recorded At – Record One, Los Angeles
Matrix / Runout (Side A): ST-1-12288-21 #1 TML-M slm △5219 1-1 o
Matrix / Runout (Side B): ST-2-12288-22 #2 TML-M slm △5219-X 1-2 o
Label Code (Side A): ST-12288 (ST-1-12288)
Label Code (Side B): ST-12288 (ST-2-12288)
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| Reviews |
AllMusic Review by Stephen Thomas Erlewine:
Little Robbers, the follow-up to the Motels' commercial breakthrough All 4 One, is nearly as consistent as its predecessor, finding the perfect balance between mainstream rock conventions and quirky new wave flourishes. Again, the singles are the best parts of the record, with the hazy "Suddenly Last Summer" deservedly reaching the Top Ten and "Remember the Nights" being a fine AOR workout, but the remainder of the album suffers from undistinguished material and a distinct lack of hooks.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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| Cover 6 |
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| Cover 7 |
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