| Artist |
The Beatles |
| Album Title: |
Let It Be... Naked |
| Album Cover: |
 |
| Primary Genre |
Rock: Classic Rock |
| Format |
CD (2) |
| Released |
11/14/2003 |
| Label |
Capitol Records, Inc. |
| Catalog No |
CDP 7243 5 95713 2 4 |
| Bar Code No |
7 2435-95713-2 4 |
| Packaging |
Jewelcase |
| Tracks |
| 1.
|
Get Back (2:34)
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| 2.
|
Dig A Pony (3:38)
|
| 3.
|
For You Blue (2:28)
|
| 4.
|
The Long And Winding Road (3:34)
|
| 5.
|
Two Of Us (3:21)
|
| 6.
|
I've Got A Feeling (3:31)
|
| 7.
|
One After 909 (2:44)
|
| 8.
|
Don't Let Me Down (3:19)
|
| 9.
|
I Me Mine (2:21)
|
| 10.
|
Across The Universe (3:38)
|
| 11.
|
Let It Be (3:54)
|
| 12.
|
Fly On The Wall (0:00)
|
|
| Date Acquired |
04/08/2017 |
| Personal Rating |
 |
| Acquired from |
Rob K collection |
| Purchase Price |
10.00 |
Web Links |
All Music Guide entry:
Discogs entry:
Musicbrainz entry: |
Notes |
"Fly On The Wall" is a unique insight into the Beatles at work in rehearsal and in the studio during January 1969. It is one long track with a total time of 21:58. The subtitles and track times as listed here appear in the booklet but the track itself is not indexed.
Compiled By, Edited By – Kevin Howlett (tracks: 2-1.1 to 2-1.34)
Composed By – Harrison (tracks: 1-3, 1-9, 2-1.19), Lennon/McCartney (tracks: 1-1, 1-2, 1-4 to 1-8, 1-10, 1-11, 2-1.2, 2-1.3, 2-1.5, 2-1.7, 2-1.14, 2-1.16, 2-1.17, 2-1.21, 2-1.23, 2-1.25, 2-1.27, 2-1.29, 2-1.31, 2-1.33)
Design – Wherefore Art?
Engineer [Original Sessions] – Glyn Johns
Keyboards – Billy Preston
Liner Notes – Kevin Howlett
Mastered By – Steve Rooke
Photography By – Ethan Russell
Producer [Original Sessions] – George Martin
Producer, Mixed By – Allan Rouse, Guy Massey, Paul Hicks
Technician [Technical Assitance] – Brian Thompson (tracks: 2-1.1 to 2-1.34)
================================================================================
foobar2000 1.3.15 / Dynamic Range Meter 1.1.1
log date: 2017-04-29 02:45:34
--------------------------------------------------------------------------------
Analyzed: The Beatles / Let It Be… Naked, Disc 1
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -0.10 dB -10.97 dB 2:35 01-Get Back
DR9 -0.16 dB -11.82 dB 3:38 02-Dig a Pony
DR11 -0.11 dB -13.37 dB 2:28 03-For You Blue
DR10 -0.17 dB -12.15 dB 3:34 04-The Long and Winding Road
DR10 -0.15 dB -11.65 dB 3:21 05-Two of Us
DR8 -0.11 dB -10.42 dB 3:31 06-I've Got a Feeling
DR9 -0.11 dB -9.69 dB 2:44 07-One After 909
DR10 -0.10 dB -11.18 dB 3:19 08-Don't Let Me Down
DR10 -0.06 dB -11.74 dB 2:21 09-I Me Mine
DR12 -0.72 dB -14.50 dB 3:38 10-Across the Universe
DR9 -0.10 dB -12.16 dB 3:54 11-Let It Be
--------------------------------------------------------------------------------
Number of tracks: 11
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 800 kbps
Codec: FLAC
================================================================================
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| Reviews |
AllMusic Review by Rovi Staff:
In its original form, Let It Be signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the band intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results. Let It Be... Naked sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while the juicy B-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on Let It Be enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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| Cover 6 |
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| Cover 7 |
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| Cover 8 |
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| Cover 9 |
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