| Artist |
Various Artists - Soundtrack |
| Album Title: |
Kill Bill Vol. 1 - Original Soundtrack |
| Album Cover: |
 |
| Primary Genre |
Electronic |
| Format |
CD |
| Released |
09/23/2003 |
| Label |
Maverick Recording Company |
| Catalog No |
48570-2 |
| Bar Code No |
0 9362-48570-2 0 |
| Packaging |
Jewelcase |
| Tracks |
| 1.
|
Bang Bang (My Baby Shot Me Down) / Nancy Sinatra (2:40)
|
| 2.
|
That Certain Female / Charlie Feathers (3:02)
|
| 3.
|
The Grand Duel - (Parte Prima) / Luis Bacalov (3:24)
|
| 4.
|
Twisted Nerve / Bernard Herrmann (1:27)
|
| 5.
|
Queen Of The Crime Council / Lucy Liu & Julie Dreyfus (0:57)
|
| 6.
|
Ode To Oren Ishii / RZA (2:05)
|
| 7.
|
Run Fay Run / Isaac Hayes (2:46)
|
| 8.
|
Green Hornet / Al Hirt (2:18)
|
| 9.
|
Battle Without Honor Or Humanity / Tomoyasu Hotei (2:28)
|
| 10.
|
Don't Let Me Be Misunderstood / Esmeralda Suite / Santa Esmeralda (10:30)
|
| 11.
|
Woo Hoo / The 5.6.7.8's (1:59)
|
| 12.
|
Crane / White Lightning / RZA & Charles Bernstein (1:37)
|
| 13.
|
The Flower Of Carnage / Meiko Kaji (3:52)
|
| 14.
|
The Lonely Shepherd / Gheorghe Zamfir (4:20)
|
| 15.
|
You're My Wicked Life / David Carradine, Julie Dreyfus & Uma Thurman (1:14)
|
| 16.
|
Ironside (Excerpt) / Quincy Jones (0:16)
|
| 17.
|
Super 16 (Excerpt) / Neu! (1:06)
|
| 18.
|
Yakuza Oren 1 / RZA (0:22)
|
| 19.
|
Banister Fight / RZA (0:21)
|
| 20.
|
Flip Sting / No Artist (0:04)
|
| 21.
|
Sword Swings / No Artist (0:05)
|
| 22.
|
Axe Throws / No Artist (0:11)
|
|
| Date Acquired |
09/18/2015 |
| Personal Rating |
 |
| Acquired from |
Import_CDs |
| Purchase Price |
6.57 |
Web Links |
All Music Guide Entry:
Discogs Entry:
Musicbrainz Entry: |
Notes |
© ? 2003 A Band Apart Recordings, Inc./Maverick Recording Company.
Motion picture artwork and photography © 2003 Miramax Film Corp.
Manufactured and distributed by Warner Bros. Records Inc. Warner Music Group
Made in Germany by Warner Music Manufacturing Europe
- Release contains multimedia shell with 3 trailers (QuickTime format): Teaser Trailer, Trailer & Trailer-Q.T. Bootleg for "Kill Bill" movies.
- Tracks from 18 to 22: Uncredited sound/music effects from the movie. Credited only in booklet.
foobar2000 1.3.6 / Dynamic Range Meter 1.1.1
log date: 2015-09-23 16:17:53
--------------------------------------------------------------------------------
Analyzed: Kill Bill, Vol. 1 (22)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -0.10 dB -14.18 dB 2:40 01-Bang Bang (My Baby Shot Me Down)
DR5 -3.01 dB -10.56 dB 3:03 02-That Certain Female
DR8 -0.10 dB -13.58 dB 3:25 03-The Grand Duel (Parte Prima)
DR10 0.00 dB -15.61 dB 1:28 04-Twisted Nerve
DR12 0.00 dB -17.90 dB 0:57 05-Queen of the Crime Council
DR9 0.00 dB -10.86 dB 2:06 06-Ode to Oren Ishii
DR10 -0.10 dB -12.08 dB 2:47 07-Run Fay Run
DR8 -0.60 dB -9.79 dB 2:18 08-Green Hornet
DR7 -0.10 dB -8.30 dB 2:29 09-Battle Without Honor or Humanity
DR7 -0.10 dB -8.76 dB 10:30 10-Don't Let Me Be Misunderstood / Esmeralda Suite
DR9 -0.10 dB -11.66 dB 1:59 11-Woo Hoo
DR5 0.00 dB -9.33 dB 1:38 12-Crane/White Lightning
DR8 -0.10 dB -10.84 dB 3:52 13-The Flower of Carnage
DR9 -0.10 dB -12.08 dB 4:21 14-The Lonely Shepherd
DR18 -1.10 dB -23.42 dB 1:14 15-You're My Wicked Life
DR7 -0.10 dB -10.53 dB 0:17 16-Ironside (excerpt)
DR12 0.00 dB -14.89 dB 1:06 17-Super 16 (Excerpt)
DR20 -2.73 dB -26.21 dB 0:23 18-Yakuza Oren 1
DR13 0.00 dB -16.28 dB 0:21 19-Banister Fight
DR13 -6.64 dB -21.61 dB 0:05 20-Flip Sting
DR15 -3.52 dB -20.79 dB 0:06 21-Sword Swings
DR12 -2.81 dB -20.24 dB 0:09 22-Axe Throws
--------------------------------------------------------------------------------
Number of tracks: 22
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 377 kbps
Codec: FLAC
================================================================================
|
|
| Reviews |
All Music Guide Review:
AllMusic Review by Stephen Thomas Erlewine
In its first teaser trailers, when it was still going to be released as a single film, Kill Bill was sold with the immortal teaser "In the year 2003 Uma Thurman is going to Kill Bill." Of course, Uma didn't come close to the messy business of killing Bill until early 2004, when the second part of Quentin Tarantino's grindhouse epic Kill Bill was released, but she sure started to kill in Kill Bill, Vol. 1, where the Bride, the character she created with QT, began her arduous revenge upon the five former colleagues that killed her fiancée at her wedding rehearsal, then left her for dead at the altar. As Tarantino plot lines go, this is the simplest yet, but revenge movies shouldn't be encumbered by deep subtext. Instead, he divided the film into chapters, giving him opportunity to play with both time and location, and then decided to shoot each chapter as a homage to a different kind of exploitation film -- something that's reflected in the soundtrack. After Nancy Sinatra's torchy "Bang Bang (My Baby Shot Me Down)" and Charlie Feathers' tough, swaggering rockabilly chestnut "That Certain Female" set the story and the mood, the record is devoted primarily to instrumental pieces that range from surging epics to the calm kitsch of Zamfir's "The Lonely Shepherd," to the intense funk pastiche of Tomoyasu Hotei's "Battle Without Honor or Humanity" (the song that kicks off nearly every trailer and ad for Kill Bill). The reduced presence of dialogue from the film -- a hallmark of Tarantino soundtracks -- is a reflection of the film, which places emphasis on action and visuals. Hell, even the tracks on the soundtrack have minimal lyrics, consisting largely of instrumentals. This gives it more of a meandering feeling, and the soundtrack kind of peters out, ending in two quick excerpts of futuristic electro music by Quincy Jones and Neu!, then a gaggle of sound effects and kung fu hits. Nevertheless, its cavalcade of contradictory moods has its own coherence, and is more musical than most pop music soundtracks. Plus, this has no familiar material, nor does it have anything that would be a single on digital radio, which is why it works as an album of its own -- it doesn't just reflect the movie; it follows its own logic, and displays fearless imagination. It makes you hungry for Vol. 2, both the movie and soundtrack.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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| Cover 6 |
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| Cover 7 |
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