| Artist |
The Beach Boys |
| Box Set Title: |
Pet Sounds Sessions |
| Album Title: |
Pet Sounds Sessions: (Disc 2) Sessions - Part 2 |
| Album Cover: |
 |
| Primary Genre |
Rock: Rock & Roll |
| Format |
CD |
| Released |
11/04/1997 |
| Label |
Capitol Records, Inc. |
| Catalog No |
C2 7243 8 37662 2 2 |
| Bar Code No |
7 2438 37662 2 2 |
| Packaging |
Box Set (4 Disk) |
| Tracks |
| 1.
|
Caroline, No (Highlights From Tracking Date) (4:16)
|
| 2.
|
Caroline, No (Stereo Backing Track) (2:53)
|
| 3.
|
Hang On To Your Ego (Highlights From Tracking Date) (4:47)
|
| 4.
|
Hang On To Your Ego (Stereo Backing Track) (3:23)
|
| 5.
|
Don't Talk (Put Your Head On My Shoulder) (Brian's Instrumental Demo) (2:20)
|
| 6.
|
Don't Talk (Put Your Head On My Shoulder) (Stereo Backing Track) (3:11)
|
| 7.
|
Don't Talk (Put Your Head On My Shoulder) (String Overdub) (1:48)
|
| 8.
|
I Just Wasn't Made For These Times (Highlights From Tracking Date) (2:59)
|
| 9.
|
I Just Wasn't Made For These Times (Stereo Backing Track) (3:47)
|
| 10.
|
That's Not Me (Highlights From Tracking Date) (1:52)
|
| 11.
|
That's Not Me (Stereo Backing Track) (2:46)
|
| 12.
|
Good Vibrations (Highlights From Tracking Date) (2:41)
|
| 13.
|
Good Vibrations (Stereo Backing Track) (3:15)
|
| 14.
|
I'm Waiting For The Day (Highlights From Tracking Date) (5:25)
|
| 15.
|
I'm Waiting For The Day (Stereo Backing Track) (3:14)
|
| 16.
|
God Only Knows (Highlights From Tracking Date) (9:25)
|
| 17.
|
God Only Knows (Stereo Backing Track) (3:06)
|
| 18.
|
Here Today (Highlights From Tracking Date) (6:37)
|
| 19.
|
Here Today (Stereo Backing Track) (4:55)
|
|
| Date Acquired |
12/25/2000 |
| Personal Rating |
 |
| Acquired from |
Bill Mack |
Web Links |
All Music Guide Entry:
Discogs Entry: |
Notes |
Digitally re-mastered using the HDCD process. Four-CD box-set containg various session takes & mixes, along w/ the first-ever 'true-stereo' version of the album as well as a re-mastered version of the original 'mono' album. Original master tapes were used for this project.
Set contains a 42-page deluxe insert booklet & a 128-page CD-size book of interviews & comments about the album by various personalities including Paul McCartney, George Martin & others.
Disc #1: Tracks 1~13 = "true-stereo" mix of the original album.
Tracks 14~28 = from the album sessions...
Disc #2: Tracks 1~19 = from the album sessions...
Disc #3: Tracks 1~11 = "vocals-only" tracking sessions...
Tracks 12~30 = alternate versions, promo spots, etc...
Disc #4: Original 'mono' album mix, re-mastered in 1966...
Street Date: November 4, 1997
--------------------------------
foobar2000 1.3.6 / Dynamic Range Meter 1.1.1
log date: 2015-04-03 10:42:23
--------------------------------------------------------------------------------
Analyzed: The Beach Boys / The Pet Sounds Sessions, Disc 2
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -0.69 dB -19.10 dB 4:17 01-Caroline, No (highlights from tracking date)
DR11 -1.63 dB -17.02 dB 2:53 02-Caroline, No (stereo backing track)
DR12 -0.24 dB -15.70 dB 4:48 03-Hang On to Your Ego (highlights from tracking date)
DR11 -0.25 dB -14.42 dB 3:24 04-Hang On to Your Ego (stereo backing track)
DR13 -3.63 dB -19.88 dB 2:21 05-Don't Talk (Put Your Head on My Shoulder) (Brian's instrumental demo)
DR9 -1.26 dB -11.99 dB 3:11 06-Don't Talk (Put Your Head on My Shoulder) (stereo backing track)
DR11 -1.97 dB -16.19 dB 1:49 07-Don't Talk (Put Your Head on My Shoulder) (string overdub)
DR15 -0.23 dB -18.55 dB 2:59 08-I Just Wasn't Made for These Times (highlights from tracking date)
DR13 -0.21 dB -15.70 dB 3:47 09-I Just Wasn't Made for These Times (stereo backing track)
DR14 -0.49 dB -18.03 dB 1:52 10-That's Not Me (highlights from tracking date)
DR11 -0.18 dB -13.34 dB 2:46 11-That's Not Me (stereo backing track)
DR13 -0.21 dB -19.66 dB 2:42 12-Good Vibrations (highlights from tracking date)
DR11 -0.07 dB -13.99 dB 3:15 13-Good Vibrations (stereo backing track)
DR12 -0.15 dB -17.11 dB 5:25 14-I'm Waiting for the Day (highlights from tracking date)
DR9 -0.01 dB -13.13 dB 3:14 15-I'm Waiting for the Day (stereo backing track)
DR14 -0.01 dB -18.66 dB 9:26 16-God Only Knows (highlights from tracking date)
DR12 -0.30 dB -15.56 dB 3:07 17-God Only Knows (stereo backing track)
DR13 -0.15 dB -17.51 dB 6:37 18-Here Today (highlights from tracking date)
DR11 -0.01 dB -14.42 dB 4:55 19-Here Today (stereo backing track)
--------------------------------------------------------------------------------
Number of tracks: 19
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 720 kbps
Codec: FLAC
================================================================================
|
|
| Reviews |
All Music Guide Review:
Review by Stephen Thomas Erlewine
There's little arguing that Pet Sounds is one of the greatest albums in rock & roll, and its cult, if anything, has only grown in the decades since its intial release. Part of the fascination with Pet Sounds lies in its detailed, multi-layered arrangements, in which all the parts blend together into a symphonic whole. The richness of the music is one of the reasons hardcore fans have desired a set like The Pet Sounds Sessions, a four-disc box that presents an abundance of working mixes, alternate takes, instrumental tracks, and rarities, as well as the first true stereo mix of the album. Certainly, a set this exacting is only of interest to serious fans, and even they might find the endless succession of work tracks tedious. Nevertheless, there's something fascinating about hearing the album broken down to its individual parts; after hearing horn lines, vocals, and percussion tracks out of their original context, the scope and originality of Brian Wilson's vision becomes all the more impressive. (Make no mistake about it, Pet Sounds is entirely Wilson's project, despite what Mike Love states in his self-serving liner notes.) The original mono mix of Pet Sounds (included here in a minature, cardboard record sleeve) remains the best way to appreciate Wilson's gifts, but for fans already convinced of his genius, The Pet Sounds Sessions is a fascinating, educational listen, even if it's not necessarily indispensable.
|
|
| Cover 1 |
 |
| Cover 2 |
 |
| Cover 3 |
 |
| Cover 4 |
 |
| Cover 5 |
 |
| Cover 6 |
 |
| Cover 7 |
 |
| Cover 8 |
 |
| Cover 9 |
 |
|
