| 1.
|
Channel Identification (0:35)
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| 2.
|
Channel Phasing (0:46)
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| 3.
|
Acoustic Drum Solo (3:39)
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| 4.
|
Acoustic Guitar Solo (3:08)
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| 5.
|
L'histoire du Soldat (Excerpt) - Stravinsky (0:58)
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| 6.
|
Flute Sonata In D, Op. 94, Allegro Con Brio - Prokofiev (7:00)
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| 7.
|
Ave Maria - Schubert (4:37)
|
| 8.
|
St. James Infirmary - Traditional (Arr. Charlie Caranicas) (3:39)
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| 9.
|
James Johnson / Trio Sonata BWV 525, Adagio - Bach (5:13)
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| 10.
|
Mapping The Soundstage (1:02)
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| 11.
|
Brahms: Intermezzo, Op. 117, No. 1 In E-Flat (5:24)
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| 12.
|
Beethoven: "Mozart's Minuet In G" (0:45)
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| 13.
|
Edward Elgar: The Dream Of Gerontius, Part I (Conclusion) (7:09)
|
| 14.
|
Corey Greenberg: Eden (3:16)
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| 15.
|
Pink Noise At -20dbfs L+R, (Uncorrelated From 0:42) (1:24)
|
| 16.
|
Bass Decade (200hz-20hz) 1-3-Octive Warble Tones At -20dbfs (2:47)
|
| 17.
|
Midrange Decade (250hz-2khz) 1-3-Octive Warble Tones At -20dbfs (2:32)
|
| 18.
|
Treble Decade (2.5khz-20khz) 1-3-Octive Warble Tones At -20dbfs (2:31)
|
| 19.
|
Music Articulation Test Tone (1:19)
|
| 20.
|
The Harmonic Series, 500hz Fundamental, At -10dbfs (L+R) (0:24)
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| 21.
|
Second Harmonic Distortion A-B Test (L+R) (1:42)
|
| 22.
|
Third Harmonic Distortion A-B Test (L+R) (1:41)
|
| 23.
|
Seventh Harmonic Distortion A-B Test (L+R) (2:02)
|
| 24.
|
Typical Amplifier Distortion Signatures (L+R) (0:32)
|
| 25.
|
Harmonic & Sub-Harmonic Distortion (L+R) (0:21)
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| 26.
|
Jitter Demonstration (L+R) (0:48)
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| 27.
|
Spot Frequency Tones At -20dbfs (L+R) (6:15)
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| 28.
|
De-Emphasis Test Tones At -20dbfs (L+R) (0:52)
|
| 29.
|
Noise Modulation Test Tones With Dither (L+R) (1:02)
|
| 30.
|
19 + 20khz At 0dbfs (L+R) (0:21)
|
| 31.
|
20khz At 0dbfs & -20dbfs (L+R) (0:30)
|
