Artist |
Nektar |
Album Title: |
Recycled |
Album Cover: |
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Primary Genre |
Rock: Progressive Rock |
Format |
CD |
Released |
00/00/1975 |
Reissue Date |
09/25/2012 |
Label |
Cleopatra Records |
Catalog No |
CLP 9179 |
Bar Code No |
7 41157 91792 5 |
Packaging |
Jewelcase |
Tracks |
1.
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Recycle (2:45)
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2.
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Cybernetic Consumption (2:10)
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3.
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Recycle Countdown (1:52)
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4.
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Automation Horrorscope (3:03)
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5.
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Recycling (1:51)
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6.
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Flight To Reality (1:19)
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7.
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Unendless Imagination (4:36)
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8.
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Sao Paulo Sunrise (3:04)
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9.
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Costa Del Sol (4:03)
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10.
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Marvellous Moses (6:35)
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11.
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It's All Over (5:22)
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12.
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Recycle (Geoff Emerick Mix) (2:48)
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13.
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Cybernetic Consumption (Geoff Emerick Mix) (2:10)
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14.
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Recycle Countdown (Geoff Emerick Mix) (1:51)
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15.
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Automation Horrorscope (Geoff Emerick Mix) (3:03)
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16.
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Recycling (Geoff Emerick Mix) (1:51)
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17.
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Flight To Reality (Geoff Emerick Mix) (1:25)
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18.
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Unendless Imagination (Geoff Emerick Mix) (4:38)
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19.
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Sao Paulo Sunrise (Geoff Emerick Mix) (3:04)
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20.
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Costa Del Sol (Geoff Emerick Mix) (4:03)
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21.
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Marvellous Moses (Geoff Emerick Mix) (6:35)
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22.
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It's All Over (Geoff Emerick Mix) (5:24)
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Date Acquired |
10/12/2012 |
Personal Rating |
|
Acquired from |
Amazon |
Purchase Price |
12.99 |
Web Links |
All Music Guide entry: Discogs entry: |
Notes |
Deluxe Edition
Recorded at Chateau d'Herouville France and at Air Studios London (July & August 1975).
Mixed at Air Studios London (August 1975).
Arranged By [Choir] – Christian Kolonovits
Arranged By [Orchestral Moog Arrangements] – Larry "Synergy" Fast
Bass, Vocals – "Mo" Moore
Choir – The English Chorale
Conductor [Choir] – Robert Howes
Design [Cover] – Helmut Wenske
Drums, Percussion – Ron Howden
Engineer [Mixing] – Geoffrey Emerick, Steve Nye
Engineer [Moog Recording] – Larry Fast
Engineer [Recording, Mixing] – Bill Price
Engineer [Recording] – John Mills
Guitar, Lead Vocals – Roye Albrighton
Keyboards, Vocals – "Taff" Freeman
Layout – Karlheinz Schuster
Lighting [Visual Environment] – Mick Brockett
Producer – Peter Hauke
Producer, Written-By, Arranged By – Nektar
Remastered By – Paschal Byrne
Technician [Tape Operator] – Jon Kelly, Jon Walls, Paul Higgins, Peter Henderson, Ross Culum, Steve Prestage
Phonographic Copyright (p) – Cleopatra Records
Copyright (c) – Cleopatra Records
Barcode: 741157917925
Matrix / Runout: 862 - CLP9179 080912
Mastering SID Code: IFPI LT05
Mould SID Code: IFPI A605
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foobar2000 1.3.17 / Dynamic Range Meter 1.1.1
log date: 2018-06-17 04:16:45
--------------------------------------------------------------------------------
Analyzed: Nektar / Recycled [Deluxe Edition]
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DR Peak RMS Duration Track
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DR9 -0.12 dB -11.06 dB 2:46 01/22-Recycle
DR8 -0.13 dB -10.05 dB 2:11 02/22-Cybernetic Consumption
DR9 -0.13 dB -10.56 dB 1:52 03/22-Recycle Countdown
DR9 -0.12 dB -10.34 dB 3:03 04/22-Automaton Horrorscope
DR10 -0.13 dB -12.81 dB 1:51 05/22-Recycling
DR8 -0.13 dB -9.78 dB 1:19 06/22-Flight To Reality
DR9 -0.13 dB -11.44 dB 4:37 07/22-Unendless Imaginations
DR13 -0.13 dB -16.07 dB 3:05 08/22-Sao Paulo Sunrise
DR11 -0.13 dB -12.78 dB 4:03 09/22-Costa del sol
DR10 -0.13 dB -12.06 dB 6:35 10/22-Marvellous moses
DR11 -0.13 dB -16.14 dB 5:23 11/22-It's All Over
DR12 -0.10 dB -14.39 dB 2:49 12/22-Recycle (The Geoff Emerick Mix)
DR11 -0.10 dB -13.48 dB 2:11 13/22-Cybernetic Consumption (The Geoff Emerick Mix)
DR12 -0.10 dB -14.44 dB 1:52 14/22-Recycle Countdown (The Geoff Emerick Mix)
DR12 -0.10 dB -14.23 dB 3:04 15/22-Automaton Horrorscope (The Geoff Emerick Mix)
DR13 -0.10 dB -14.91 dB 1:51 16/22-Recycling (The Geoff Emerick Mix)
DR12 -0.49 dB -15.77 dB 1:25 17/22-Flight To Reality (The Geoff Emerick Mix)
DR12 -0.10 dB -15.54 dB 4:38 18/22-Unendless Imaginations (The Geoff Emerick Mix)
DR14 -0.14 dB -17.02 dB 3:05 19/22-Sao Paolo Sunrise (The Geoff Emerick Mix)
DR12 -0.10 dB -13.85 dB 4:03 20/22-Costa Del Sol (The Geoff Emerick Mix)
DR11 -0.10 dB -12.85 dB 6:36 21/22-Marvellous Moses (The Geoff Emerick Mix)
DR12 -0.10 dB -17.08 dB 5:24 22/22-It's All Over (The Geoff Emerick Mix)
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Number of tracks: 22
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 718 kbps
Codec: FLAC
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Reviews |
All Music Guide Review:
Review by Mike DeGagne
While the instrumental alliances that take place throughout Recycled aren't nearly as solid as on Journey to the Center of the Eye or Remember the Future, the album still harbors some of Nektar's intergalactic progressive rock penchants, although a slight decline in the band's cohesion is apparent. Guitarist Roy Albrighton lacks his usual gusto on most of the tracks, but tends to show signs of earlier days on both "Flight to Reality" and "Automatic Horrorscope." What does hold strong is Nektar's ability to conjure up a science-fiction atmosphere through the unorthodox application of percussion, guitar, and keyboards. Tracks like "Unendless Imagination" and "Cybernetic Consumption" wallow in a futuristic amalgam of strings and synth, with Larry Fast working the keyboards this time around. Fast holds his end up for the most part, but at times his playing sounds manufactured and colorless, which in turn dampens the rest of the surrounding instruments. Some intriguing creativity arises near the end of the album with "Sao Paulo Sunrise" and "Marvellous Moses," which resembles some of Nektar's early-'70s material. Recycled isn't a total disappointment, but the frequency of solid instrumentation and ability to hold attention does seem to fluctuate from time to time.
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Cover 1 |
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Cover 2 |
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Cover 3 |
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Cover 4 |
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Cover 5 |
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Cover 6 |
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Cover 7 |
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Cover 8 |
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Cover 9 |
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