Beck / Sea Change
Artist Beck
Album Title: Sea Change
Album Cover:
Primary Genre Alternative
Format CD
Released 09/24/2002
Label Geffen Records, Inc.
Catalog No 0694933932-A
Bar Code No 6 06949 33932 6
Packaging Jewelcase
Tracks
1. The Golden Age (4:36)
2. Paper Tiger (4:35)
3. Guess I'm Doing Fine (4:49)
4. Lonesome Tears (5:37)
5. Lost Cause (3:47)
6. End Of The Day (5:03)
7. It's All In Your Mind (3:05)
8. Round The Bend (5:15)
9. Already Dead (2:58)
10. Sunday Sun (4:44)
11. Little One (4:26)
12. Side Of The Road (3:23)
Date Acquired 10/31/2015
Personal Rating
Acquired from Rick Webb (Discogs)
Purchase Price 5.00

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

Produced, engineered and mixed at Ocean Way Studios except Track 2 (Strings) and Track 8 recorded at Record One.

Mastered at Gateway.
foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-10-31 16:19:21

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Analyzed: Beck / Sea Change
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DR         Peak         RMS     Duration Track
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DR8       -0.10 dB   -10.20 dB      4:37 01-The Golden Age
DR6       -0.10 dB    -8.17 dB      4:36 02-Paper Tiger
DR9       -0.10 dB   -10.29 dB      4:49 03-Guess I'm Doing Fine
DR6       -0.10 dB    -8.03 dB      5:38 04-Lonesome Tears
DR7       -0.10 dB    -9.90 dB      3:47 05-Lost Cause
DR8        0.00 dB   -10.33 dB      5:03 06-End of the Day
DR8       -0.10 dB   -10.54 dB      3:06 07-It's All in Your Mind
DR7       -0.10 dB    -8.89 dB      5:15 08-Round the Bend
DR7       -0.10 dB    -9.61 dB      2:59 09-Already Dead
DR7       -0.10 dB    -8.60 dB      4:44 10-Sunday Sun
DR6       -0.10 dB    -7.92 dB      4:27 11-Little One
DR10      -0.10 dB   -12.04 dB      3:24 12-Side of the Road
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Number of tracks:  12
Official DR value: DR7

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           749 kbps
Codec:             FLAC
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Reviews
All Music Guide Review:

Review by Stephen Thomas Erlewine

Beck has always been known for his ever-changing moods -- particularly since they often arrived one after another on one album, sometimes within one song -- yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What's startling about Sea Change is how it brings everything that's run beneath the surface of Beck's music to the forefront, as if he's unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck's music was a sonic kaleidoscope -- each song shifting familiar and forgotten sounds into colorful, unpredictable combinations -- this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it's not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-'70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen. Surely, some may bemoan the absence of the careening, free-form experimentalism of Odelay, but Beck's gifts as a songwriter, singer, and musician have never been as brilliant as they are here. As Sea Change is playing, it feels as if Beck singing to you alone, revealing painful, intimate secrets that mirror your own. It's a genuine masterpiece in an era with too damn few of them.

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