| Artist |
Yo La Tengo |
| Album Title: |
And Then Nothing Turned Itself Inside-Out |
| Album Cover: |
 |
| Primary Genre |
Alternative & Punk: Indie |
| Format |
CD |
| Released |
02/22/2000 |
| Label |
Matador Records |
| Catalog No |
OLE 371-2 |
| Bar Code No |
7 44861 03712 5 |
| Packaging |
Digipack |
| Tracks |
| 1.
|
Everyday (6:31)
|
| 2.
|
Our Way to Fall (4:18)
|
| 3.
|
Saturday (4:18)
|
| 4.
|
Let's Save Tony Orlando's House (4:59)
|
| 5.
|
Last Days of Disco (6:28)
|
| 6.
|
The Crying of Lot G (4:44)
|
| 7.
|
You Can Have it All (4:36)
(Harry Wayne Casey-Rick Finch) |
| 8.
|
Tears Are in Your Eyes (4:35)
|
| 9.
|
Cherry Chapstick (6:11)
|
| 10.
|
From Black to Blue (4:47)
|
| 11.
|
Madeline (3:36)
|
| 12.
|
Tired Hippo (4:45)
|
| 13.
|
Night Falls on Hoboken (17:42)
|
|
| Date Acquired |
10/13/2009 |
| Personal Rating |
 |
| Acquired from |
Amazon |
| Purchase Price |
10.99 |
Web Links |
Discogs Entry:
All Music Guide Entry: |
Notes |
All songs published by Roshashauna Music / Excellent Classical Songs (BMI) except track 7 published by EMI Longitude Music (BMI).
℗ © 2000 Matador Records.
Made in the UK.
Additional recording by David Henry in Nashville, Bil Emmons in Manhattan, Peter Walsh on location in Brooklyn, and Wayne Dorell at the Pigeon Club in Hoboken.
Recorded at Alex the Great in Nashville, and mixed at the Big House in Manhattan.
Mastered By – Greg Calbi
Photography – Dan
Photography By – Gregory Crewdson
Producer – Roger Moutenot
Recorded By [Additional] – Bil Emmons, David Henry, Peter Walsh, Wayne Dorell
Written-By – Yo La Tengo (tracks: 1 to 6, 8 to 13)
Phonographic Copyright ℗ – Matador Records
Copyright © – Matador Records
Published By – Roshashauna Music
Published By – Excellent Classical Songs
Published By – EMI Longitude Music
Recorded At – Alex The Great
Recorded At – The Pigeon Club
Mixed At – Big House
Mastered At – Sterling Sound
Barcode (Text): 7 44861 03712 5
Matrix / Runout: KEY OLE371-2
Mastering SID Code: IFPI LP76
--------------------------------------------------------------------------------
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-01-17 02:36:05
--------------------------------------------------------------------------------
Analyzed: Yo La Tengo / And Then Nothing Turned Itself Inside-Out
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR09 -0.01 dB -10.54 dB 6:32 01 - Everyday
DR08 -0.51 dB -10.47 dB 4:18 02 - Our Way to Fall
DR12 -0.01 dB -13.55 dB 4:18 03 - Saturday
DR09 -0.21 dB -10.93 dB 4:59 04 - Let's Save Tony Orlando's House
DR12 -0.01 dB -13.93 dB 6:28 05 - Last Days of Disco
DR11 -0.21 dB -13.42 dB 4:45 06 - The Crying of Lot G
DR08 -0.01 dB -10.05 dB 4:37 07 - You Can Have It All
DR11 -0.31 dB -13.59 dB 4:35 08 - Tears Are in Your Eyes
DR07 -0.01 dB -8.83 dB 6:12 09 - Cherry Chapstick
DR11 -0.41 dB -13.70 dB 4:47 10 - From Black to Blue
DR10 -0.81 dB -11.95 dB 3:37 11 - Madeline
DR10 -0.61 dB -12.44 dB 4:46 12 - Tired Hippo
DR11 -0.21 dB -12.84 dB 17:42 13 - Night Falls on Hoboken
--------------------------------------------------------------------------------
Number of tracks: 13
Official DR value: DR10
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 702 kbps
Codec: FLAC
--------------------------------------------------------------------------------
|
|
| Reviews |
All Music Guide Review:
Review by Heather Phares
After years as one of indie rock's standard-bearing groups, Yo La Tengo surpasses itself with And Then Nothing Turned Itself Inside-Out. A culturally literate, emotionally rich album, on songs like "Let's Save Tony Orlando's House," "The Crying of Lot G," and "The Last Days of Disco," it alludes to The Simpsons, enigmatic author Thomas Pynchon and independent films while exploring the comforting, confining, complex aspects of relationships. "Our Way to Fall" sets Ira Kaplan's recollection of falling in love to a dreamy, down-to-earth backdrop of gently brushed drums, luminous organs and vibes; "The Crying of Lot G" transforms the syrupy sweetness of '50s ballads into a monologue about a relationship's shortcomings. "Madeline"'s shimmery indie bossa-nova and the countrified ballad "Tears Are in Your Eyes" showcase Georgia Hubley's buttery, empathetic voice; her singing makes these vignettes universal as well as personal. Like mature indie rock records such as Pavement's Terror Twilight and Jim O'Rourke's Eureka, And Then Nothing... favors mellow songwriting, detailed arrangements, and eclectic influences, such as the Silver Apples-like drum machines and doo wop backing vocals that adorn many of the songs. The wintry, implosive "Everyday" uses both of these elements, along with a plaintive guitar and hushed, hypnotic vocals, to begin the album on a surprisingly somber note. Similarly, the off-kilter beats, odd piano bursts, and harmonies on "Saturday" add to the song's awkward, uneasy beauty. Finally, nine songs into the album, Yo La Tengo breaks out the whammy and feedback action on "Cherry Chapstick," their most incandescent song since "Sugarcube." Easily one of 2000's most accomplished albums, And Then Nothing Turned Itself Inside-Out isn't as immediate as some of the group's earlier work, but it's just as enduring, proving that Yo La Tengo is the perfect band to grow old with.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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