Beck / The Information
Artist Beck
Album Title: The Information
Album Cover:
Primary Genre Alternative
Format CD (1) DVD (1)
Released 10/03/2006
Label Interscope Records
Catalog No B0007576-00
Bar Code No 6 02517 06717 2
Packaging Jewelcase
Tracks
The Information [CD]
1. Elevator Music (3:38)
2. Think I'm In Love (3:19)
3. Cellphone's Dead (4:45)
4. Strange Apparition (3:48)
5. Soldier Jane (3:58)
6. Nausea (2:55)
7. New Round (3:25)
8. Dark Star (3:45)
9. We Dance Alone (3:56)
10. No Complaints (3:00)
11. 1000 Bpm (2:29)
12. Motorcade (4:15)
13. The Information (3:45)
14. Movie Theme (3:53)
15. The Horrible Fanfare/Landslide/Exoskeleton (10:36)
The Information [DVD]
1. Opening Credits (0:31)
2. Elevator Music (3:43)
3. Think I'm In Love (3:24)
4. Cellphone's Dead (4:51)
5. Strange Apparition (3:56)
6. Soldier Jane (4:04)
7. Nausea (3:05)
8. Dark Star (3:18)
9. Movie Theme (3:45)
10. We Dance Alone (3:57)
11. No Complaints (3:04)
12. 1000 BPM (2:31)
13. Motorcade (4:15)
14. The Information (3:43)
15. New Round (3:53)
16. The Horrible Fanfare / Landslide / Exoskeleton (10:47)
17. Closing Credits (0:21)
Date Acquired 12/13/2006
Personal Rating
Acquired from Amazon
Purchase Price 12.99

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

Recorded at Ocean Way Studios, Conway Studios, Sound Isadore & Beck's Garage (Los Angeles, CA), winter 03 to spring 06.

Mastered at Gateway Mastering (Portland, ME).

'Stickers inside'

DVD consists of videos for each track. Tracks 3 and 12 feature alternate angles to select while watching.

This version has the same catalog# on CD and spine.

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-11-01 02:43:36

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Analyzed: Beck / The Information
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DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR6        0.00 dB    -7.20 dB      3:38 01-Elevator Music
DR5        0.00 dB    -7.14 dB      3:19 02-Think I'm In Love
DR7        0.00 dB    -8.50 dB      4:46 03-Cellphone's Dead
DR6        0.00 dB    -8.13 dB      3:48 04-Strange Apparition
DR6        0.00 dB    -7.49 dB      3:59 05-Soldier Jane
DR6        0.00 dB    -6.50 dB      2:56 06-Nausea
DR8        0.00 dB    -9.72 dB      3:26 07-New Round
DR6        0.00 dB    -7.21 dB      3:45 08-Dark Star
DR6        0.00 dB    -7.13 dB      3:57 09-We Dance Alone
DR5        0.00 dB    -6.18 dB      3:00 10-No Complaints
DR7        0.00 dB    -8.36 dB      2:30 11-1000BPM
DR6       -0.07 dB    -8.08 dB      4:15 12-Motorcade
DR5        0.00 dB    -7.13 dB      3:46 13-The Information
DR5        0.00 dB    -6.89 dB      3:53 14-Movie Theme
DR6        0.00 dB    -8.70 dB     10:36 15-The Horrible Fanfare/Landslide/Exoskeleton
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Number of tracks:  15
Official DR value: DR6

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           798 kbps
Codec:             FLAC
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Personnel:
       DJ Z-Trip
       David Campbell
       Greg Kurstin
       Harvey Mason
       James Gadson
       Jason Falkner
       Joey Waronker
       Justin Stanley
       Alex Acuna
       Nigel Godrich
       Roger Manning Jr.
       Sean Davis
       Smokey Hormel
       Steve Black
       Justin Meldal-Johnsen
       Brian Lebarton
Recording information:
    Ocean Way
    Hollywood, California
    2006

Over a decade of criss-crossing genres makes it easy to forget that Beck's first big hit was, essentially, a rap song. It's not surprising, then, that about half of the songs on 2006's THE INFORMATION are some shade of hip-hop dance-floor funk. And while no one's going to mistake Beck for Young Buck, he brings his own brand of intelligent, laid-back confidence to every track, from the stuttering brilliance of "1000 BPM" to the lolling funk of "Elevator Music" to the lo-fi breakbeat grooves of "Cellphone's Dead" to the 10 minutes of atmospheric chill-out that close the album. But the presence of Nigel Godrich--who produced both the most beloved (MUTATIONS) and underrated (SEA CHANGES) of Beck's albums--insures that this isn't going to be a one-note affair. Godrich shapes the more pop-leaning songs into low-gloss gems, exercising both imagination and restraint: the intensity of "New Round" comes not from big, fancy production but from multiple layers of the same insistent vocal line. "Think I'm in Love" is a sticky little garage-rocker with a hyper bass line, while "Strange Apparition" is a bit of Laurel Canyon folk-rock amidst all the funk & crunk. It's reassuring to know that on his seventh full-length album, neither Beck nor his best collaborator have run out of fresh ideas.
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Editorial Reviews:
       Amazon.com
On The Information, Beck Hansen is seriously bummed out. Not that he sounds it as much as he did on 2002's laconic, Fred Neil-worshipping Sea Change. Technology and stuff, and the way it gets in the way of human interaction, is the subtext if not the full-on concept at play here. Recorded with art-rock anal-retentive Nigel Goodrich at the helm, work began on this album not long after Sea Change but was shelved for a few years while Mr. Hansen made 2005's Guero with the Dust Brothers. Unsurprisingly, it sounds a bit like both of those. The trappings of minimalist pop, fuzzy folk, click-hop, hip-hop, baroque psychedelia, and funky pop are to be found on this endearing release. Like Jean Cocteau or David Bowie, Beck is an artistic chameleon whose greatest gift is knowing which artists to borrow from, and when. The cover artwork consists of stickers that you can arrange however you like, which perhaps appeals too much to your own nostalgic/retro, "Trapper Keeper" sensibilities. And yet, it's kind of awesome, something you can't believe has never been done before. Much like the album it adorns.
       --Mike McGonigal
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Product Description:

       Hailed as "a deeply natural songwriter" (THE NEW YORKER) who "defies expectations in his own way" (TIME) and "Gen X's most famous absurdist" (BLENDER), BECK is the single most inventive and eclectic figure to emerge from the '90s alternative revolution. In an era obsessed with junk culture, Beck seamlessly blends pop, folk, hiphop, indie/underground and electronica with the end result being an authentically uncategorizeable musical style that nevertheless has sold millions of records and scored multiple Grammy awards.

       Three years in the making, THE INFORMATION is the album Beck began work on in 2003 with producer Nigel Godrich (Radiohead's OK Computer, Kid A; Beck's Sea Change, Mutations) and finally completed this year once Guero's massive success and encore touring engagements, as well as Nigel's other commitments, were fulfilled.

       THE INFORMATION is comprised of 15 songs and a DVD featuring homemade videos for each of the 15 songs shot in-studio during the actual sessions. The artwork for The Information is either non-existent or infinite, depending on one's point of view. Each copy will come in a blank

Reviews
All Music Guide Review:

Review by Stephen Thomas Erlewine

Beck began work on 2006's The Information after Sea Change but before he reunited with the Dust Brothers for 2005's Guero, eventually finishing the album after Guero was generally acclaimed as a return to Odelay form. So, it shouldn't come as a great surprise that The Information falls somewhere between those two records, at least on sonic terms. Musically, it's certainly a kindred spirit to Guero, meaning that it hearkens back to the collage of loose-limbed, quirky white-boy funk-rock and rap that brought Beck fame at the peak of the alt-rock revolution, with hints of the psychedelia of Mutations and the folk-rock that was the basis for Sea Change. Since this is a Nigel Godrich production, it's meticulous and precise even when it wants to give the illusion of spontaneity, which isn't necessarily a bad thing, since it also pulls the album into focus, something that the generally fine Guero could have used. Guero had many strengths, but its biggest weakness was the general sense that it was unfinished, a suspicion fostered by its endless issues in deluxe editions and remixes. Beck embraced these changes, most extravagantly on the cover of Wired, where he was hailing the future of the album, which would now no longer be seen as finished: it would be a project that covered a certain amount of time, the artist would package it one way, then listeners would offer their own spin. That is precisely what Guero turned out to be, so it would have made sense that The Information would run further down that field, particularly because it has a design-your-own-art for its cover and is supplemented by a DVD filled with quick-n-dirty videos for each of its songs. But Beck isn't so easily pigeonholed: as it turns out, The Information is far more of a proper album than Guero, coming fully equipped with recurring themes and motifs, feeling every bit the concept album Sea Change was. Credit might go partially to his collaboration with Godrich -- who is nothing if not a taskmaster, helping to sharpen and focus erratic talents like Paul McCartney and Stephen Malkmus (for good in the former, not as good in the latter) -- but this also feels like the work of a refocused Beck, who shook off the cobwebs by reuniting with the Dust Brothers, thereby getting his "return to Odelay form" notices out of the way, and then getting down to the real work here on The Information, as he tackles the hyper-saturated info-world of the new millennium here.

If it initially seems like surprises are in short supply on The Information -- even when the tracks take a left turn, it doesn't feel like Beck and Godrich are wandering off the map -- the craft is strong and assured, and closer listens reveal the depth of the detail within the album, whether it's in the construction of the production or how those productions illuminate Beck's themes. Ever the obscurist, Beck's meanings aren't always crystal clear, which is no doubt deliberate, but his overall intent is easier to ascertain, especially when "Cellphone's Dead" juts up against "Nausea." There's a greater sense of craft here, and while craft isn't necessarily the first thing that comes to mind when thinking about Beck, it's what happens when an eccentric sticks around for over a decade: he turns pro. He's done his exploring and now he's learning how to apply what he's discovered. While this may have the inevitable side effect of making his music a little less bracing and exciting, at least on first listen -- and that's especially true when he's in his pop chameleon mode as he is here, since it often seemed like his collages were quickly thrown together instead of immaculately assembled as they are here -- it nevertheless makes for a well-constructed, intriguing, and satisfying album, which The Information assuredly is. Upon first listen, it might seem to slide by a little bit on texture and sound instead of song, but that doesn't necessarily mean it feels even as groove-oriented and hip-hop-driven as Guero (let alone Midnite Vultures), despite the fact that many of the best tracks are built on muscular, intricate rhythms, like the dense, paranoid "Nausea" or the opening fanfare of "Elevator Music." But those further listens -- something that a neo-concept album like this demands anyway -- reveal the complexity within the productions, and how Beck is bridging the two sides of his personality, finding a common ground between his folk roots and art rock sides. All those little details give each cut a dramatic flow, and as the cuts pile up, they all add up to something. Like a picture where you have to stare intently to find the hidden item buried in a seas of colored dots, it can be far too easy on The Information to look at the individual dots and not see the big picture -- but at least here the dots are interesting in and of themselves. And if you give it time, The Information eventually reveals itself as Beck's tightest, most purposeful album yet.

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