Jeff Buckley / Grace
Artist Jeff Buckley
Album Title: Grace
Album Cover:
Primary Genre Rock: Folk-Rock
Format CD
Released 08/23/1994
Label Columbia/Sony
Catalog No CK 57528
Bar Code No 0 7464-57528-2 2
Packaging Jewelcase
Tracks
1. Mojo Pin (5:42)
2. Grace (5:22)
3. Last Goodbye (4:35)
4. Lilac Wine (4:32)
5. So Real (4:43)
6. Hallelujah (6:53)
7. Lover, You Should Have Come Over (6:43)
8. Corpus Christi Carol (For Roy) (2:56)
9. Eternal Life (4:52)
10. Dream Brother (5:26)
Date Acquired 02/04/2005
Personal Rating
Acquired from Electric Fetus - Minneapolis
Purchase Price 10.79

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

Performers
Karl Berger : Strings
Jeff Buckley : Dulcimer, Guitar, Harmonica, Harmonium, Organ, Tabla, Voices
Mick Grondahl : Bass
Loris Holland : Organ
Matt Johnson : Drums, Percussion, Vibraphone, Vibraphone
Gary Lucas : Guitar
Misha Masud : Tabla
Michael Tighe : Guitar


Production Credits
Steve Sisco : Assistant Engineer
Andy Wallace : Engineer, Mixing, Producer
Howie Weinberg : Mastering

foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2013-12-24 01:58:03

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Analyzed: Jeff Buckley / Grace
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DR         Peak         RMS     Duration Track
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DR11      -0.20 dB   -15.64 dB      5:42 01-Mojo Pin
DR10      -0.20 dB   -13.33 dB      5:22 02-Grace
DR10      -0.20 dB   -13.02 dB      4:35 03-Last Goodbye
DR11      -1.89 dB   -17.33 dB      4:32 04-Lilac Wine
DR10      -0.20 dB   -13.29 dB      4:43 05-So Real
DR12      -0.20 dB   -17.11 dB      6:53 06-Hallelujah
DR11      -0.20 dB   -13.92 dB      6:44 07-Lover, You Should've Come Over
DR10      -3.89 dB   -18.10 dB      2:57 08-Corpus Christi Carol
DR10      -0.20 dB   -12.09 dB      4:52 09-Eternal Life
DR10      -0.20 dB   -13.76 dB      5:26 10-Dream Brother
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Number of tracks:  10
Official DR value: DR11

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           816 kbps
Codec:             FLAC
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Reviews
Review by New Music: Jeff Buckley's voice is the most moving goddamn instrument to come along in rock since Sinead O'Connor's impassioned cry. On Grace, Buckley soars into falsetto trills and cathartic moans recalling the jazz-rock of his father (the late Tim Buckley), with a little of Robert Plant's Zeppelin bravura thrown in. In its ten songs, Grace paints Buckley as an artistic, provocative young performer, able to draw upon classic rock's poetic spirit while avoiding a dated "freedom rock" vibe. As a songwriter, Buckley roams comfortably between soulful hippie-folk and a crushing hard rock sound, suggesting he's got as many records by Faith No More as he does by his dad. Strong and eclectic as his songs are, it's the album's cover versions that directly reveal Buckley's boldness of talent. Case in point: It takes more than a little gumption to do a solo guitar/vocal version of Leonard Cohen's "Hallelujah," and do it in jaw-dropping, Cohen-topping fashion. From that track, to the roaring acid blues of "Mojo Pin," to an angelic rendition of Benjamin Britten's "Corpus Christie Carol," Buckley delivers all the songs with spirit. His passionate, bohemian mindset enables him to conjure comparisons from Bono Vox to Frank Zappa and let all his influences fly in this stunning collection of songs.
Cover 1
Cover 2
Cover 3
Cover 4
Cover 5