Artist |
The Cure |
Album Title: |
The Cure |
Album Cover: |
 |
Primary Genre |
Rock: Goth Rock |
Format |
CD |
Released |
06/29/2004 |
Label |
Geffen Records, Inc. |
Catalog No |
B0002870-12 |
Bar Code No |
6 02498 62831 7 |
Packaging |
Jewelcase |
Tracks |
1.
|
Lost (4:07)
|
2.
|
Labyrinth (5:14)
|
3.
|
Before Three (4:40)
|
4.
|
The End Of The World (3:43)
|
5.
|
Anniversary (4:22)
|
6.
|
Us Or Them (4:09)
|
7.
|
Alt.End (4:30)
|
8.
|
(I Don't Know What's Going) On... (2:57)
|
9.
|
Taking Off (3:19)
|
10.
|
Never (4:04)
|
11.
|
The Promise (10:18)
|
|
Date Acquired |
07/19/2004 |
Personal Rating |
 |
Acquired from |
Best Buy |
Purchase Price |
14.99 |
Web Links |
All Music Guide Entry Discogs Entry: MusicBrainz Entry: Wikipedia Entry: |
Notes |
Notes:
℗ © 2004 Geffen Records. All rights reserved.
Printed in the U.S.A.
Recorded & mixed at Olympic Studios, London Spring 2004.
Mastered at Sterling Sound, NYC.
Demos recorded at Stanbridge.
This album was recorded live in a candlelit room & mixed very loud in the dark... We know you should turn down the lights and turn up the sound for your optimum listening pleasure.
All rights for the US on behalf of BMG Music Publishing Ltd. (PRS) administered by BMG Songs, Inc. (ASCAP)
DVD 'Making The Cure' filmed by Rob Fisher & Ross & Steve & Owen & The Cure, Edited by Robert & Roger for Curevision using the Mac Movie 4, Soundtrack by The Cure.
The enhanced section includes a "secret" link to the Cure's website featuring a Robert Smith interview, demos, photos and a gallery of the album's artwork.
The Cure: Robert Smith (vocals, guitar); Perry Bamonte (guitar); Roger O'Donnell (keyboards); Simon Gallup (bass guitar); Jason Cooper (drums).
Recording information: Olympic Studios, London, England (2004).
Credits:
Artwork By [Cover Art From Original Artwork By] – Alice, Benedict, Bethany, Bodhi, Christopher, Ciaran, Darcie, James, Nicholas, Noosha, Richard, Sarahnearly, Sian, Theodore, Tod
Artwork [Art Concept, Assisted By] – JP Robinson
Artwork [Art Concept] – SmArt
Artwork [Assisted By] – JP Robinson
Bass – Simon Gallup
Cover [Cover Art Produced By] – Stylo Rouge
Crew [Studio Crew] – Jez Webb, Martin Herbert
Drums, Percussion – Jason Cooper
Engineer [Demos] – Keith Geffen
Engineer, Mixed By – Steve Evetts
Executive-Producer [Executive Production By] – Bunny Lake (4), Daryl Bamonte, Jordan Schur, Robert Smith, Ross Robinson
Guitar – Perry Bamonte
Keyboards – Roger O'Donnell
Mastered By – George Marino
Mixed By [Assistant] – Owen Skinner
Music By – Cooper, Bamonte, Smith, O'Donnell, Gallup
Producer, Mixed By – Ross Robinson
Producer, Voice, Guitar, Mixed By, Lyrics By [Words By] – Robert Smith
Programmed By – Jesse Cannon
Technician [Other Studio Assistance] – Steve Mustarde, Tom Webster
Companies, Etc.:
Phonographic Copyright ℗ – Geffen Records
Copyright © – Geffen Records
Manufactured By – Universal Music & Video Distribution, Corp.
Distributed By – Universal Music & Video Distribution, Corp.
Recorded At – Olympic Studios
Mixed At – Olympic Studios
Mastered At – Sterling Sound
Made By – UML
Published By – BMG Music Publishing Ltd.
Published By – BMG Songs, Inc.
Barcode and other Identifiers:
Barcode (Printed): 6 02498 62831 7
Barcode (String): 602498628317
Matrix / Runout (Inner Ring): MADE IN USA BY UML
Matrix / Runout (Variant 1): B00 028 7012 03$ D
Mastering SID Code: IFPI L099
Mould SID Code: IFPI 0399
Matrix / Runout (Variant 2): B00 028 7012 03$ M
Matrix / Runout (Variant 3): [Universal Logo] B00 028 7012 03$ AD
Mastering SID Code (Variants 3, 4, 5): IFPI L009
Mould SID Code (Variant 3): IFPI 0313
Matrix / Runout (Variant 4): [Universal Logo] B00 028 7012 03$ V
Mould SID Code (Variant 4): IFPI 0323
Matrix / Runout (Variant 5): [Universal Logo] B00 028 7012 03$ S
Mould SID Code (Variant 5): IFPI 0308
Matrix / Runout (Variant 6): [Universal Logo] B00 028 7012 03$ Y
Mould SID Code (Variant 6): IFPI 0305
Matrix / Runout (Variant 7): [Universal Logo] B00 028 7012 03$ M
Mastering SID Code (Variant 7): IFPI L009
Mould SID Code (Variant 7): IFPI 0395
Matrix / Runout (Variant 8): [Universal Logo] B00 028 7012 03$ I
Mastering SID Code (Variant 8): IFPI L009
Mould SID Code (Variant 8): IFPI 0376
Matrix / Runout (Variant 9): [Universal Logo] B00 028 7012 03$ A
Mastering SID Code (Variant 9): IFPI L009
Mould SID Code (Variant 9): IFPI 0383
Matrix / Runout (Variant 10): [Universal Logo] B00 028 7012 03$ N
Mastering SID Code (Variant 10): IFPI L009
Mould SID Code (Variant 10): IFPI 0351
Matrix / Runout (Variant 11): [Universal Logo] B00 028 7012 03$ K
Mastering SID Code (Variant 11): IFPI L009
Mould SID Code (Variant 11): IFPI 0389
Rights Society: PRS
Rights Society: ASCAP
----------------------------------------------------------------------------------------------
Analyzed Folder: The Cure - The Cure_dr.txt
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR8 over -9.44 dB 01 - Lost.aif
DR7 over -8.30 dB 02 - Labyrinth.aif
DR7 over -7.74 dB 03 - Before Three.aif
DR6 over -7.69 dB 04 - The End of the World.aif
DR8 over -10.13 dB 05 - Anniversary.aif
DR7 over -7.61 dB 06 - Us or Them.aif
DR7 over -8.68 dB 07 - Alt.End.aif
DR7 over -8.33 dB 08 - (I Don't Know What's Going) On.aif
DR7 over -7.53 dB 09 - Taking Off.aif
DR7 over -7.40 dB 10 - Never.aif
DR7 over -8.58 dB 11 - The Promise.aif
----------------------------------------------------------------------------------------------
Number of Files: 11
Official DR Value: DR7
----------------------------------------------------------------------------------------------
Although rumors of the Cure's demise circulated after 2000's BLOODFLOWERS, and even frontman Robert Smith claimed the group was finished on numerous occasions, the revered post-punk band remained united, and released this self-titled album in 2004. Expertly timed to follow the excellent JOIN THE DOTS rarities box set and ride a wave of adoration from hip, younger bands,
THE CURE marks a new chapter for the goth-rockers, while incorporating many of the quartet's key sonic elements.
Though Smith doesn't seem inclined to write lighter pop ditties on par with "The Lovecats" or "Let's Go to Bed," he's still happy to pen gloomy, distortion-filled rock songs and atmospheric mood pieces. Marked by tinges of Middle-Eastern music, the slowly building "Labyrinth" hearkens back to the band's gloriously bleak 1982 album, PORNOGRAPHY. Co-producer Ross Robinson (Korn, Slipknot) makes his presence known by amping up the guitars, most notably on the reverb-heavy "Before Three," the fierce "Us or Them," and the epic closer "The Promise." Of course, Smith can't resist the occasional upbeat melody, particularly on the dynamic single "The End of the World" and the buoyant, keyboard-driven "Taking Off." Twenty-five years after the group's first album, THE CURE sees Smith and his bandmates in fine form and ready to win over another generation of fans.
While the full-length CD has 11 tracks, exclusive to the vinyl printing are 4 bonus tracks.
|
|
Reviews |
All Music Guide Review by Stephen Thomas Erlewine:
For a long time, maybe 15 years or so, Robert Smith rumbled about the Cure's imminent retirement whenever the band had a new album ready for release. Invariably, Smith said the particular album served as a fitting epitaph, and it was now time for him to bring the Cure to an end and pursue something else, maybe a solo career, maybe a new band, maybe nothing else. This claim carried some weight when it was supporting a monumental exercise in dread, like Disintegration or Bloodflowers, but when applied to Wild Mood Swings, it seemed like no more than an empty threat, so fans played along with the game until Smith grew tired of it, abandoning it upon the 2004 release of his band's eponymous 13th album. Instead of being a minor shift in marketing, scrapping his promise to disband the Cure is a fairly significant development since it signals that Smith is comfortable being in the band, perhaps for the first time in his life. This sense of peace carries over into the modest and modestly titled The Cure, which contains the most comfortable music in the band's canon — which is hardly the same thing as happy music, even if this glistens in contrast to the deliberate goth classicism of Bloodflowers. Where that record played as a self-conscious effort to recreate the band's gloomy heyday, this album is the sound of a band relaxing, relying on instinct to make music. The Cure was recorded and released quickly — the liner notes state it was recorded in the spring of 2004, and it was released weeks later, at the end of June — and while it never sounds hurried, it never seems carefully considered either, since it lacks either a thematic or musical unity that usually distinguish the band's records. It falls somewhere between these two extremes, offering both towering minor-key epics like the closing "The Promise" and light pop like "The End of the World." It's considerably more colorful than its monochromatic predecessor, and the rapid recording gives the album a warmth that's pleasing, even if it inadvertently emphasizes the familiarity of the material. Which is ultimately the record's Achilles' heel: the Cure have become journeymen, for better and worse, turning out well-crafted music that's easy to enjoy yet not all that compelling either. It's not a fatal flaw, since the album is a satisfying listen and there's also a certain charm in hearing a Cure that's so comfortable in its own skin, but it's the kind of record that sits on the shelves of die-hard fans, only occasionally making its way to the stereo.
|
|
Cover 1 |
 |
Cover 2 |
 |
Cover 3 |
 |
Cover 4 |
 |
Cover 5 |
 |
Cover 6 |
 |
Cover 7 |
 |
Cover 8 |
 |
Cover 9 |
 |
|