First pressing issued as a numbered edition of 4750 copies. Later reissued as an unnumbered edition.
Live DAT bootleg recording
Recorded on Panasonic SV-250 portable digital audio tape recorder
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foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2013-12-29 21:19:48
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Analyzed: Butthole Surfers / Double Live (disc 1)
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DR Peak RMS Duration Track
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DR10 -1.70 dB -14.11 dB 4:03 01-Too Parter
DR11 -1.86 dB -13.84 dB 8:41 02-Psychedelic Jam
DR10 -1.74 dB -13.00 dB 2:43 03-Ricky
DR10 -1.83 dB -13.80 dB 3:37 04-Rocky
DR10 0.00 dB -14.02 dB 1:48 05-Gary Floyd
DR12 -2.05 dB -17.13 dB 3:44 06-Florida
DR11 -2.12 dB -16.72 dB 7:10 07-John E. Smoke
DR12 -2.40 dB -15.67 dB 2:45 08-Tornadoes
DR10 -2.28 dB -14.88 dB 3:08 09-Pittsburg to Lebanon
DR12 -2.19 dB -16.37 dB 7:55 10-The One I Love
DR10 -2.88 dB -15.12 dB 2:31 11-Hey
DR10 -2.71 dB -14.25 dB 3:00 12-Dum Dum
DR11 -2.75 dB -15.36 dB 2:14 13-No Rule
DR11 -1.80 dB -15.95 dB 4:01 14-U.S.S.A
DR12 -2.18 dB -16.11 dB 8:02 15-Comb
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Number of tracks: 15
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 892 kbps
Codec: FLAC
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foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2013-12-29 21:20:49
--------------------------------------------------------------------------------
Analyzed: Butthole Surfers / Double Live (disc 2)
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DR Peak RMS Duration Track
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DR11 -1.93 dB -15.55 dB 2:35 01-Graveyard
DR11 -1.53 dB -16.15 dB 5:23 02-Sweatloaf
DR10 -1.31 dB -14.31 dB 6:02 03-Backass
DR10 -1.64 dB -13.50 dB 5:46 04-Paranoid
DR11 -2.19 dB -15.13 dB 1:30 05-Fast
DR10 -1.94 dB -14.02 dB 4:26 06-I Saw an X-Ray of a Girl Passing Gas
DR10 -2.24 dB -14.31 dB 3:26 07-Strawberry
DR11 -2.14 dB -14.31 dB 7:35 08-Jimi
DR10 -2.22 dB -14.44 dB 9:35 09-Lou Reed
DR12 -5.12 dB -20.80 dB 2:31 10-Kuntz
DR10 -2.29 dB -14.77 dB 4:08 11-22 Going on 23
DR10 -2.26 dB -14.67 dB 2:40 12-Creep in the Cellar
DR13 -1.98 dB -17.04 dB 1:36 13-Suicide
DR11 -1.93 dB -14.48 dB 9:32 14-Something
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Review by Steve Huey
Essentially a self-released bootleg, Double Live is a mammoth collection of 29 songs (on the CD version) featuring a cover of R.E.M.'s "The One I Love." Unfortunately, the band can't quite duplicate its manic studio sound onstage, given their reliance on tape manipulation and effects, but the album still gets crazy in places.