Frank Zappa / Uncle Meat
Artist Frank Zappa
Album Title: Uncle Meat
Album Cover:
Primary Genre Jazz: Free/Avant Jazz
Format CD (2)
Released 04/21/1969
Reissue Date 10/00/1987
Label Rykodisc
Catalog No RCD 10064 / RCD 10065
Bar Code No none
Packaging Jewelcase
Tracks
Uncle Meat [disc 1]
1. Uncle Meat: Main Title Theme (1:55)
2. The Voice of Cheese (0:26)
3. Nine Types of Industrial Pollution (6:00)
4. Zolar Czakl (0:54)
5. Dog Breath, in the Year of the Plague (3:59)
6. The Legend of the Golden Arches (3:27)
7. Louie Louie (At the Royal Albert Hall in London) (2:18)
8. The Dog Breath Variations (1:48)
9. Sleeping in a Jar (0:50)
10. Our Bizarre Relationship (1:05)
11. The Uncle Meat Variations (4:46)
12. Electric Aunt Jemima (1:46)
13. Prelude to King Kong (3:38)
14. God Bless America (Live at the Whisky A Go Go) (1:10)
15. A Pound for a Brown on the Bus (1:29)
16. Ian Underwood Whips It Out (Live on Stage in Copenhagen) (5:05)
17. Mr. Green Genes (3:14)
18. We Can Shoot You (2:03)
19. If We'd All Been Living in California... (1:14)
20. The Air (2:57)
21. Project X (4:48)
22. Cruising for Burgers (2:18)
Uncle Meat [disc 2]
1. Uncle Meat Film Excerpt Part I (37:34)
2. Tengo Na Minchia Tanta (3:46)
3. Uncle Meat Film Excerpt Part II (3:51)
4. King Kong I (0:51)
5. King Kong II (1:19)
6. King Kong III (1:45)
7. King Kong IV (6:17)
8. King Kong V (0:33)
9. King Kong VI (7:25)
Date Acquired 03/08/1990
Personal Rating
Acquired from Know Name Records
Purchase Price 18.00

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

Digitally Remixed 1987.
Original first US CD edition, comes in a fat double jewelcase with an 8 page booklet with lyrics, a 12 page booklet with notes, pictures and score, and a small 4 page Ryko FZ on CD catalog.
Composed By – Frank Zappa (tracks: 1-1 to 1-6, 1-8 to 2-9), Richard Berry (tracks: 1-7)
Drums [On Some Pieces Before He Quit To Join Rhinoceros] – Billy (The Oozer) Mundi
Drums, Performer [Droll Humor, Poverty] – Jimmy Carl Black
Drums, Timpani, Vibraphone [Vibes], Marimba, Xylophone, Wood Block, Bells, Chimes [Small], Performer [Cheerful Outlook & Specific Enquiries] – Artie (With The Green Mustache) Tripp
Electric Bass, Performer [Cheeseburgers, Pachuco Falsetto] – Roy Estrada
Electric Organ, Piano, Harpsichord, Celesta, Flute, Clarinet, Alto Saxophone, Baritone Saxophone, Performer [Special Assistance], Performer [Copyist, Industrial Relations & Teen Appeal] – Ian Underwood
Electric Piano, Performer [Tarot Cards, Brown Rice] – Don (Dom De Wild) Preston
Engineer – Richard Kunc, Jerry Hansen
Guitar, Vocals [Low Grade], Percussion – Frank Zappa
Marimba, Vibraphone – Ruth Komanoff
Performer [Pop Star], Tenor Saxophone [Frenetic Stylings], Tambourine, Choreography, Performer [Obstinance & Equipment Setter-upper When He's Not Hustling Local Groupies] – Euclid James (Motorhead/Motorishi) Sherwood
Piccolo Flute, Flute, Clarinet, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bassoon [All Of These Electric And / Or Non-electric Depending] – Bunk (Sweetpants) Gardner
Producer – Frank Zappa
Vocals [Swell] – Ray Collins
Voice – Pamela Zarubica (tracks: 1-2, 1-10)
Voice [Soprano] – Nelcy Walker (tracks: 1-5, 1-11)
Copyright © – Barking Pumpkin Records
Phonographic Copyright ℗ – Barking Pumpkin Records
Manufactured By – Rykodisc
Distributed By – Rykodisc


"MOST OF THE MUSIC FROM THE MOTHER'S MOVIE OF THE SAME NAME WHICH WE HAVEN'T GOT ENOUGFH MONEY TO FINISH YET"

-FRANK ZAPPA, 1969

The words to the songs on this album were scientifically prepared from a random series of syllables, dreams, neuroses & private jokes that nobody except the members of the band ever laugh at, and other irrelevant material.  They are all VERY SERIOUS & loaded with secret underground candy-rock psychedelic profundities.  (Basically this is an instrumental album.)

The music on this album was recorded over a period of about 5 months from October 1967 to February 1968.  Things that sound like a full orchestra were carefully assembled, track by track through a procedure known as over-dubbing.  The weird middle section of DOG BREATH (after the line, "Ready to attack") has forty tracks built into it.  Things that sound like trumpets are actually clarinets played through an electric device made by Maestro with a setting labeled Oboe D'Amore and sped up a minor third with a V.S.O. (variable speed oscillator).  Other peculiar sounds were made on a Kalamazoo electric organ.  The only equipment at our disposal for the modification of these primary sounds was a pair of Pultec Filters, two Lang Equalizers, and three Melchor Compressors built into the board at Apostolic Studios in New York.  The board itself is exceptionally quiet and efficient (the only thing that allowed us to pile up so many tracks) and is the product of Mr. Lou Lindauer's imagination & workmanship.  The material was recorded on a prototype Scully 12 track machine at 30 ips.  The whole project was engineered by Richard Kunc or Dynamite Dick, as he is known to the trade.  Special engineering credits go to Jerry Hansen for the percussion effects added later at Sunset Sound in L.A., and to our friend Mike in Copenhagen for the tapes he sent us.

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Analyzed Folder: Frank Zappa - Uncle Meat (disc 1)_dr.txt
----------------------------------------------------------------------------------------------
DR          Peak          RMS              Filename                      
----------------------------------------------------------------------------------------------
DR14   -0.73 dB   -17.75 dB  01 - Uncle Meat- Main Title Theme.flac
DR17   -1.01 dB   -22.09 dB  02 - The Voice Of Cheese.flac
DR14   -0.03 dB   -16.68 dB  03 - Nine Types Of Industrial Pollution.flac
DR14   -0.00 dB   -18.15 dB  04 - Zolar Czakl.flac        
DR13   -0.77 dB   -16.49 dB  05 - Dog Breath, In The Year Of The Plague.flac
DR11   -3.16 dB   -17.19 dB  06 - The Legend Of The Golden Arches.flac
DR11   -3.60 dB   -18.64 dB  07 - Louie Louie.flac        
DR11   -3.86 dB   -17.30 dB  08 - The Dog Breath Variations.flac
DR13   -0.00 dB   -15.59 dB  09 - Sleeping In A Jar.flac  
DR14   -1.64 dB   -24.67 dB  10 - Our Bizarre Relationship.flac
DR15  +0.00 dB   -17.61 dB  11 - The Uncle Meat Variations.flac
DR13   -0.40 dB   -16.03 dB  12 - Electric Aunt Jemima.flac
DR11   -2.21 dB   -16.37 dB  13 - Prelude To King Kong.flac
DR16   -1.20 dB   -21.29 dB  14 - God Bless America (Live at the Whisky A Go Go).flac
DR11   -3.11 dB   -17.30 dB  15 - A Pound For A Brown On The Bus.flac
DR10   -2.84 dB   -16.07 dB  16 - Ian Underwood Whips It Out (Live on stage in Copenhagen).flac
DR08   -2.88 dB   -12.79 dB  17 - Mr. Green Genes.flac    
DR14   -0.20 dB   -21.88 dB  18 - We Can Shoot You.flac    
DR12   -5.57 dB   -21.19 dB  19 - If We'd All Been Living in California.flac
DR14  +0.00 dB   -16.03 dB  20 - The Air.flac            
DR12   -2.12 dB   -19.28 dB  21 - Project X.flac          
DR11   -1.81 dB   -15.55 dB  22 - Cruising For Burgers.flac
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Number of Files: 22
Official DR Value: DR13
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Analyzed Folder: D:\Music\FLAC\Frank Zappa - Uncle Meat (disc 2)_dr.txt
----------------------------------------------------------------------------------------------
DR           Peak         RMS              Filename                      
----------------------------------------------------------------------------------------------
DR17   -1.21 dB   -21.75 dB  01 - Uncle Meat Film Excerpt Part I.flac
DR12   -2.29 dB   -16.10 dB  02 - Tengo Na Minchia Tanta.flac
DR13   -2.54 dB   -19.69 dB  03 - Uncle Meat Film Excerpt Part II.flac
DR10   -2.11 dB   -14.15 dB  04 - King Kong Itself (as played by the Mothers in a studio).flac
DR11   -2.59 dB   -15.65 dB  05 - King Kong (Its magnificence as interpreted by Dom DeWild).flac
DR11   -1.40 dB   -15.56 dB  06 - King Kong (as Motorhead explains it).flac
DR13   -1.32 dB   -16.82 dB  07 - King Kong IV.flac        
DR11   -3.60 dB   -18.05 dB  08 - King Kong V.flac        
DR10   -0.84 dB   -14.14 dB  09 - King Kong VI.flac        
----------------------------------------------------------------------------------------------
Number of Files: 9
Official DR Value: DR12
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Reviews
All Music Guide Review:

Review by Steve Huey

Just three years into their recording career, the Mothers of Invention released their second double album, Uncle Meat, which began life as the largely instrumental soundtrack to an unfinished film. It's essentially a transitional work, but it's a fascinating one, showcasing Frank Zappa's ever-increasing compositional dexterity and the Mothers' emerging instrumental prowess. It was potentially easy to overlook Zappa's melodic gifts on albums past, but on Uncle Meat, he thrusts them firmly into the spotlight; what few lyrics there are, Zappa says in the liner notes, are in-jokes relevant only to the band. Thus, Uncle Meat became the point at which Zappa began to establish himself as a composer and he would return to many of these pieces repeatedly over the course of his career. Taken as a whole, Uncle Meat comes off as a hodgepodge, with centerpieces scattered between variations on previous pieces, short concert excerpts, less-realized experiments, doo wop tunes, and comedy bits; the programming often feels as random as the abrupt transitions and tape experiments held over from Zappa's last few projects. But despite the absence of a conceptual framework, the unfocused sprawl of Uncle Meat is actually a big part of its appeal. It's exciting to hear one of the most creatively fertile minds in rock pushing restlessly into new territory, even if he isn't always quite sure where he's going. However, several tracks hint at the jazz-rock fusion soon to come, especially the extended album closer "King Kong"; it's his first unequivocal success in that area, with its odd time signature helping turn it into a rhythmically kinetic blowing vehicle. Though some might miss the gleeful satire of Zappa's previous work with the Mothers, Uncle Meat's continued abundance of musical ideas places it among his most intriguing works.

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